Helen Gross's ' "Bloody Razor Blues" was released on its scheduled release date, 1996. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Helen Gross's "Helen Gross (1924-1925)" album is number 17 out of 22. On top of that, United States appears to be the country where this track was created. Bloody Razor Blues is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Bloody Razor Blues by Helen Gross to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Undertaker's Blues | Helen Gross & The Kansas City Five | A Major | 1 | 11B | 73 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| Stack O' Lee Blues - Remastered 1988 | Fred Waring & The Pennsylvanians | E Major | 1 | 12B | 126 BPM | ||
| Daddy, Won't You Please Come Home | Annette Hanshaw | C Major | 2 | 8B | 136 BPM | ||
| Look Who's Here | Claude Hopkins and His Orchestra, Orl, o Roberson | F Major | 2 | 7B | 183 BPM | ||
| That teasin', squeezin' man of mine - Remastered 1988 | Leona Williams | A♭ Major | 1 | 4B | 118 BPM | ||
| I Want a Girl | Dan Hornsby Trio | F♯ Minor | 5 | 11A | 119 BPM | ||
| Here's Love in Your Eyes | Lee Wiley | B♭ Major | 2 | 6B | 82 BPM | ||
| I'll Be Glad When You're Dead, You Rascal, You | The Blue Lyres at the Dorchester Hotel | F Major | 4 | 7B | 207 BPM | ||
| Jump Steady Daddy | Lucille Bogan | E♭ Major | 3 | 5B | 86 BPM | ||
| What'cha Gonna Do When There Ain't No Jazz? (Recorded May 1920) | Esther Walker | F Major | 1 | 7B | 128 BPM | ||
| At The Devil's Ball | Bob Scobey's Frisco Band | G Major | 3 | 9B | 176 BPM | ||
| Dancing The Devil Away | Vaughn De Leath, The Don Voorhees Orchestra | B Major | 1 | 1B | 96 BPM | ||
| Got To Cool My Doggies Now - Remastered 1988 | Leona Williams | F♯ Major | 2 | 2B | 143 BPM | ||
| Sloppy Drunk Blues | Lucille Bogan | A♭ Major | 1 | 4B | 142 BPM | ||
| Frustration (1946) | Valaida Snow | A Minor | 2 | 8A | 74 BPM | ||
| She's A Great, Great Girl | Hal Kemp And His Orchestra | F Major | 3 | 7B | 109 BPM | ||
| I Can't Believe That You're in Love With Me | Jack Payne | G Major | 3 | 9B | 124 BPM | ||
| I Want to Be Bad | Helen Kane | B♭ Major | 2 | 6B | 82 BPM | ||
| I Love Dancing | Joséphine Baker | F Major | 2 | 7B | 80 BPM | ||
| Why Am I so Romantic? | Sam Lanin & His Orchestra | C Minor | 1 | 5A | 82 BPM | ||
| Organ Grinder's Song | Red Nichols and His Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Prove It on Me Blues | Ma Rainey | B♭ Major | 2 | 6B | 82 BPM | ||
| Button Up Your Overcoat | Helen Kane | B♭ Major | 2 | 6B | 82 BPM | ||
| Jitterbug | Cab Calloway | G Major | 5 | 9B | 113 BPM |