Paul Jackson, Jr.'s ' "Personal Touch" was released on its scheduled release date, 1988. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Paul Jackson, Jr.'s "I Came To Play" album is number 4 out of 9. On top of that, United States appears to be the country where this track was created. Personal Touch is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Personal Touch by Paul Jackson, Jr. to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Sundays | Tim Bowman | D♭ Minor | 8 | 12A | 110 BPM | ||
| Following My Soul | Renato Falaschi | F Minor | 8 | 4A | 107 BPM | ||
| Firefly | Tom Grant | C Major | 4 | 8B | 99 BPM | ||
| Keepin' It Real | Joe McBride | G Major | 8 | 9B | 102 BPM | ||
| Just Talk to Me | Bobby Lyle | C Major | 7 | 8B | 94 BPM | ||
| Diamonds | Jonathan Fritzén | E Minor | 7 | 9A | 102 BPM | ||
| Let's Have a Good Time | Braxton Brothers | C Major | 7 | 8B | 113 BPM | ||
| I’m All Ears | Cindy Bradley | F Minor | 6 | 4A | 98 BPM | ||
| Ocean Explorer | Paul Jackson, Jr. | F Major | 7 | 7B | 130 BPM | ||
| When Love Comes Around | Braxton Brothers | F Minor | 3 | 4A | 114 BPM | ||
| One on One | Wayman Tisdale | A Minor | 7 | 8A | 108 BPM | ||
| A Very Special Place | Torcuato Mariano | E Minor | 8 | 9A | 98 BPM | ||
| Tailwind | Patrick Bradley, Paul Jackson, Jr. | C Major | 8 | 8B | 110 BPM | ||
| How 'Bout That | Kevin Toney | A Minor | 8 | 8A | 110 BPM | ||
| Freedom At Midnight | David Benoit | F♯ Minor | 6 | 11A | 118 BPM | ||
| Up from Here | James 'PJ' Spraggins, Eric Essix, Greg Manning | B Minor | 7 | 10A | 103 BPM | ||
| Esselle's Dance | Les Sabler | G Major | 6 | 9B | 95 BPM | ||
| Nite And Day | Ronny Jordan | A Major | 4 | 11B | 92 BPM | ||
| Oi Gata | Joe McBride | B Minor | 7 | 10A | 144 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Coasting | Joyce Cooling | E Minor | 7 | 9A | 110 BPM | ||
| Timeline | Cal Harris Jr. | D♭ Major | 5 | 3B | 111 BPM | ||
| Pacific Breeze | Gail Jhonson, Nelson Braxton | F Minor | 5 | 4A | 97 BPM | ||
| One Night With You | Jonathan Fritzén | F Major | 4 | 7B | 107 BPM | ||
| It's a Start | Paul Jackson, Jr. | D Minor | 5 | 7A | 115 BPM |