- BPM
- 85
- Key
- G Minor
- Camelot
- 6A
Why Did I Listen to That Man? by Nancy Opel, John Deyle, Hunter Foster, Jeff McCarthy, Daniel Marcus, Lawrence Street, Victor W. Hawks, Jennifer Laura Thompson Song Details
Nancy Opel, John Deyle, Hunter Foster, Jeff McCarthy, Daniel Marcus, Lawrence Street, Victor W. Hawks, Jennifer Laura Thompson's ' "Why Did I Listen to That Man?" was released on its scheduled release date, July 9, 2001. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Urinetown The Musical (Original Broadway Cast Recording)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Why Did I Listen to That Man? is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
With Why Did I Listen to That Man? by Nancy Opel, John Deyle, Hunter Foster, Jeff McCarthy, Daniel Marcus, Lawrence Street, Victor W. Hawks, Jennifer Laura Thompson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 32%
- Loudness
- -10.173 dB
- Acousticness
- 78%
- Danceability
- 63%
- Energy
- 44%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 83%
- Speechiness
- 12%
- Valence
- 56%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mama, Let Me In | Betsy Wolfe, Lindsay Mendez, Alex Brightman, Ben Crawford | D♭ Major | 1 | 3B | 121 BPM | |
 | Somewhere That's Green | Soundtrack/Cast Album | G Major | 2 | 9B | 86 BPM | |
 | Elegance | Kate Baldwin, Taylor Trensch, Beanie Feldstein, Gavin Creel | G Major | 4 | 9B | 155 BPM | |
 | No Life | Charles Kimbrough, Dana Ivey | C Major | 3 | 8B | 98 BPM | |
 | Out There On The Road | Norbert Leo Butz, Ryan Andes, Kirsten Scott, Big Fish Original Broadway Cast | C Major | 5 | 8B | 111 BPM | |
 | More Than I Am | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | E Major | 3 | 12B | 172 BPM | |
 | Sunday Morning | Denée Benton, Brittain Ashford, Grace McLean | A♭ Minor | 3 | 1A | 82 BPM | |
 | Whipped into Shape | 'Legally Blonde' Ensemble, Michael Rupert, Nikki Snelson | F♯ Major | 5 | 2B | 119 BPM | |
 | Normandy | Lawrence Clayton, David Hibbard, Jane Krakowski, Heath Lamberts | D Major | 3 | 10B | 82 BPM | |
 | Montage, Part 4: Gimme the Ball | A Chorus Line Ensemble (2006) | E Major | 6 | 12B | 145 BPM | |
 | Made in America | StarKid Productions | B Major | 5 | 1B | 151 BPM | |
 | Show You a Thing or Two | Kaitlin Hopkins, Deven May, Kerry Butler, Sean McCourt, Kathy Brier, Daria Hardeman, Trent Armand Kendall, Jim Price, Richard Pruitt, Doug Storm | D♭ Major | 5 | 3B | 147 BPM | |
 | I'm Breaking Down | Stephanie J. Block | A Major | 4 | 11B | 141 BPM | |
 | Nothing Short of Wonderful | Lindsay Mendez | B Major | 5 | 1B | 88 BPM | |
 | The Teachers' Argument | David De Silva | D Minor | 4 | 7A | 115 BPM | |
 | "Me, Who Am I?" | Santino Fontana, Phumzile Sojola, Peter Bartlett | G Minor | 6 | 6A | 100 BPM | |
| Opening: I Hope I Get It | A Chorus Line Ensemble (2006) | A Major | 4 | 11B | 141 BPM | |
 | All Er Nuthin' | James Davis, Ali Stroker | D Major | 3 | 10B | 177 BPM | |
| Find My Way / Finale | Laura Bell Bundy, Orfeh, 'Legally Blonde' Ensemble | A♭ Major | 4 | 4B | 89 BPM | |
| Sominex / Suppertime Ii | Soundtrack/Cast Album | G Minor | 5 | 6A | 139 BPM | |
| Could You? | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A♭ Major | 3 | 4B | 112 BPM | |
 | What Do I Need with Love | Gavin Creel, Original Broadway Cast of Thoroughly Modern Millie | G Minor | 3 | 6A | 95 BPM | |
 | The More You Ruv Someone | Ann Harada, Stephanie D'Abruzzo | A♭ Major | 3 | 4B | 79 BPM | |
 | Hundreds of Stories | Lin-Manuel Miranda, Olga Merediz | A♭ Major | 4 | 4B | 92 BPM | |
| The Harvard Variations | Christian Borle, 'Legally Blonde' Ensemble, Manuel Herrera, Natalie Joy Johnson, Noah Weisberg | E Minor | 3 | 9A | 177 BPM |
- ISRC
- USBC10100407
- Label
- L-M Records/RCA Records