"Three Weeks Later" by Daniel Pemberton had its release date on September 16, 2022. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Three Weeks Later's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "See How They Run (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Three Weeks Later's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Weeks Later by Daniel Pemberton having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leap Of Faith | Jed Kurzel | D♭ Major | 6 | 3B | 90 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Quantum Gate | 2WEI, Ali Christenhusz | A Major | 4 | 11B | 110 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Run Londinium | Daniel Pemberton | D Major | 9 | 10B | 135 BPM | ||
| Godzilla-1.0 Unscathed | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| Darunta Dam | Chris Benstead | C Major | 4 | 8B | 92 BPM | ||
| Fogwell's Gym | John Paesano | B♭ Minor | 7 | 3A | 103 BPM | ||
| Salazar | Geoff Zanelli | E♭ Major | 2 | 5B | 88 BPM | ||
| Overture to the Unwritten (from "Hogwarts Legacy") | chuck e. myers 'sea', J Scott Rakozy, Peter Murray, Hogwarts Legacy | C Major | 3 | 8B | 74 BPM | ||
| Flynn Lives - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 3 | 3B | 108 BPM | ||
| Burying the Dead | Kevin Kiner | D Major | 2 | 10B | 67 BPM | ||
| The Right to Remain Silent | Daniel Pemberton | D Minor | 3 | 7A | 146 BPM | ||
| Yautja Prime | Sarah Schachner | D Major | 2 | 10B | 119 BPM | ||
| Binary Sunset (Reimagined) [From Star Wars Episode IV: A New Hope] | Daniel Ciurlizza | C Minor | 3 | 5A | 114 BPM | ||
| Fifty Shades of Kang | Christophe Beck | F Major | 5 | 7B | 99 BPM | ||
| Look Up | David Fleming | D Major | 7 | 10B | 86 BPM | ||
| My Son Is Home | Joel P West | G Minor | 2 | 6A | 141 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| I'll Be Waiting | Max Aruj, Alfie Godfrey | A♭ Major | 5 | 4B | 140 BPM | ||
| The Rise of the Beast | West Dylan Thordson | D Major | 2 | 10B | 81 BPM | ||
| Brick & Blood | The Newton Brothers | C Minor | 2 | 5A | 140 BPM | ||
| Spider-Gwen Theme (Spider-Man: Across The Spider-Verse) - Epic Version | Krutikov Music | B Minor | 8 | 10A | 82 BPM | ||
| Call Me Joker | Hildur Guðnadóttir | D Major | 3 | 10B | 121 BPM | ||
| Xu Shang-Chi | Joel P West | A Minor | 7 | 8A | 87 BPM |