Rekha Rathod, Daksha Prajapati's ' "Hari Ni Hatadiye" was released on its scheduled release date, January 19, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Bhajnavali by Suresh Rawal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Hari Ni Hatadiye is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hari Ni Hatadiye by Rekha Rathod, Daksha Prajapati is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meladi Ma Parchadi | Jayesh Barot, Mahalaxmi Iayar, Vikram Thakor, Sadhana Sargam, Nisha Barot | G Major | 9 | 9B | 145 BPM | ||
| Agar Nath Dekhoge Avgun Hamare | RJ Shivam | G Minor | 7 | 6A | 136 BPM | ||
| Hai Surta | Sanju Sharma | D♭ Major | 9 | 3B | 85 BPM | ||
| Mahakal Bhajan | Nitin Bagwan | D♭ Minor | 7 | 12A | 92 BPM | ||
| Kana Ne Manavo | Gopal Sadhu | F Minor | 8 | 4A | 107 BPM | ||
| Aatlo Sandesho Mara Piyuji Dejo | Prabhat Barot, Rekha Rathod | F Minor | 7 | 4A | 103 BPM | ||
| Dihi Ma Dihiwarin (Kantikartik) | OP Dewangan | D♭ Major | 9 | 3B | 130 BPM | ||
| Chausath Jogani | Prem Nath | E Minor | 10 | 9A | 80 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM | ||
| Tuza Mani Dhyas Sai | Bhalchandra Lavate | D♭ Major | 9 | 3B | 90 BPM | ||
| Unko Bhi Humse Mohabbat - Duet Version | Indie Ghazal | D♭ Minor | 7 | 12A | 92 BPM | ||
| Baras Baras Ho Kari Badariya | Madan Rai | D♭ Major | 6 | 3B | 101 BPM | ||
| Aavo Aavo Mali | Rekha Rathod | F Minor | 8 | 4A | 100 BPM | ||
| Kashtabhanjandev No Rang Lagyo | Jemish Bhagat | D♭ Major | 9 | 3B | 150 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Mami Nanda | Prakash Gandhi, Priya Prajapat | A♭ Major | 8 | 4B | 150 BPM | ||
| Dhadhkat Aagi Ma | Gorelal Burman, Ratan Sabiha | E Major | 7 | 12B | 138 BPM | ||
| Kab Se Khada Hu Tere Dwar Pe Sanwra | Mukesh Mahadeva | F Minor | 9 | 4A | 176 BPM | ||
| Tataniya Dharawali Khodal Mata | Meena Patel | C Major | 7 | 8B | 155 BPM | ||
| Pahelu Pahelu Mangaliyu Vartay | Gagan Jethva, Rekha Rathod | G Major | 7 | 9B | 170 BPM | ||
| Jay Jay Ho Khodal Maa | Hamir Gadhvi, Rekha Rathod | G Major | 10 | 9B | 120 BPM | ||
| Shubharambh (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | F Minor | 6 | 4A | 96 BPM | ||
| Aana Kanta Nikal Dena Ga | Dilip Ray | A♭ Major | 9 | 4B | 135 BPM | ||
| सेवा में बाग लगाए लगाए ओ माँ | युवराज पाण्डेय | D♭ Minor | 7 | 12A | 92 BPM | ||
| Charan Kul Ni Dikari Butbhavani Nam | Rekha Rathod | F Major | 8 | 7B | 92 BPM |