Gabriel Yared's 'Where The Boundaries Are' had a release date set for 1999. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Where The Boundaries Are's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gabriel Yared's "Message In A Bottle-Original Motion Picture Score" album is number 11 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Where The Boundaries Are is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Where The Boundaries Are by Gabriel Yared to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dishes Are Never a Chore | Mark McKenzie | G Major | 1 | 9B | 69 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| He Sleeps (From "Pretty Woman") | Juggernoud1 | G Major | 0 | 9B | 80 BPM | ||
| Il dolore di una città | Andrea Guerra | C Minor | 1 | 5A | 112 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Emmanuelle II | Francis Lai | D♭ Minor | 3 | 12A | 126 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| One Man's Dream | Yanni | G Major | 1 | 9B | 112 BPM | ||
| Launch | Gabriel Yared | B♭ Major | 1 | 6B | 109 BPM | ||
| Seretse and Ruth | Patrick Doyle | D♭ Minor | 2 | 12A | 59 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Fusion | Roy Ricardo, Ricc Roy | A Minor | 3 | 8A | 90 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Memorie del passato | Andrea Guerra | D Minor | 0 | 7A | 170 BPM | ||
| With All My Heart | Peter Pearson | E♭ Major | 2 | 5B | 90 BPM | ||
| Kate's Theme / End Credits | Lennie Niehaus, Clint Eastwood | F Major | 1 | 7B | 79 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Recordando a Quevedo | Roque Baños, Pro Arte Orchestra Of London | D Minor | 0 | 7A | 173 BPM | ||
| Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM | ||
| Faraway Downs | FELIX MEAGHER, Baz Luhrmann, Angela Little | G Major | 3 | 9B | 90 BPM | ||
| Rose Leaves Greg | The Mirror Has Two Faces (Soundtrack) | E♭ Major | 1 | 5B | 101 BPM | ||
| Beach Walk | Henry Mancini | C Minor | 1 | 5A | 155 BPM | ||
| Hungry Celesta | Nicola Piovani | G Major | 0 | 9B | 71 BPM | ||
| The First Kiss (Veronica’s Theme) | George Fenton | B♭ Major | 1 | 6B | 89 BPM | ||
| The Grave of Mother’s Hands | Judah Earl | E Major | 3 | 12B | 88 BPM |