Francisco Tárrega, Adrián Rius's 'Adelita' had a release date set for April 25, 2013. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 23 in Francisco Tárrega: Homenaje a Francisco Tárrega by Francisco Tárrega, Jorge Orozco. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Adelita's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Adelita by Francisco Tárrega, Adrián Rius is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gymnopédie No. 2 | William Wilson | D Major | 0 | 10B | 103 BPM | ||
| Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM | ||
| 我が宿 | フランツ・シューベルト, ヨハン・カスパール・メルツ, Shin-ichi Fukuda | G Major | 1 | 9B | 120 BPM | ||
| La Cacharpaya (Huayno) | Atahualpa Yupanqui, Roberto Aussel, Bénédicte Frétaud | A Minor | 1 | 8A | 91 BPM | ||
| Flores de la montana (Arr. A. Lauro) | Raul Borges, Victor Villadangos | D Major | 0 | 10B | 98 BPM | ||
| Morning Birds | Antoine Boyer | G Major | 2 | 9B | 76 BPM | ||
| Âmes d'antan | Sylvain Luc, Marylise Florid | A♭ Major | 2 | 4B | 163 BPM | ||
| Capriccio Diabolico ''Omaggio a Paganini'', Op.85 | Mario Castelnuovo-Tedesco, Kazuhito Yamashita | G Major | 1 | 9B | 86 BPM | ||
| Verano Porteño | Stephanie Jones | C Major | 1 | 8B | 117 BPM | ||
| 4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
| Songs Without Words: Weary | Madame Sidney Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
| Suite Aben-Humeya, I. Danza árabe | José María Huertas, Dúo Ángel Barrios, Javier Santos | E Minor | 2 | 9A | 97 BPM | ||
| Suite del Ángel: II. Milonga del Ángel (Arr. for Solo Guitar by Baltazar Benítez) | Baltazar Benítez | E Minor | 1 | 9A | 135 BPM | ||
| Koyunbaba op. 19: III - Cantabile | Carlo Domeniconi, Julia Schüler | E♭ Minor | 1 | 2A | 79 BPM | ||
| Pepita (Polka) | Francisco Tárrega, Fernando Espí | G Major | 2 | 9B | 78 BPM | ||
| Etude in E Minor | Benedict Larsen, Francisco Tárrega | D Major | 0 | 10B | 129 BPM | ||
| Caprichos de Goya: No. 18, El sueño de la razón produce monstruos | Mario Castelnuovo-Tedesco, Vincenzo Fiamingo | A Minor | 2 | 8A | 81 BPM | ||
| Prelude from First Cello Suite - J.S. Bach | Robert Westaway | D Major | 3 | 10B | 112 BPM | ||
| Estudio Brillante | Francisco Tárrega, Ana Archilés | E Major | 1 | 12B | 81 BPM | ||
| 24 Caprices, Op. 1: No. 1 in E Major (arr. for guitar) | Niccolò Paganini, Gerald Garcia | A Minor | 1 | 8A | 104 BPM | ||
| Guitar Sonata, Op. 25, Grand Sonata No. 2- IV. Minuet (From '1940-1960 Vol.7) | ANDRES SEGOVIA | C Major | 1 | 8B | 183 BPM | ||
| Fantasía sobre motivos de La Traviata | Francisco Tárrega, Ana Archilés | A Major | 3 | 11B | 133 BPM | ||
| Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
| Tucututa | Victor Villadangos | G Minor | 0 | 6A | 90 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Granada | Ana Vidović | A Minor | 0 | 8A | 134 BPM |