"Dinner For Two" by Hans Zimmer, Graham Preskett had its release date on January 1, 1995. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Something To Talk About (Original Motion Picture Score)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Dinner For Two is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dinner For Two by Hans Zimmer, Graham Preskett having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| Detach | Hans Zimmer | C Major | 1 | 8B | 119 BPM | ||
| Destroyer Of Worlds | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Lightning Strikes | Rupert Gregson-Williams | D Major | 4 | 10B | 94 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Consequences & Loss | Antonio Pinto | A Major | 2 | 11B | 125 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| 503 (From "Angels & Demons" Soundtrack) | Hans Zimmer, Joshua Bell, Nick Glennie-Smith | D Minor | 5 | 7A | 92 BPM | ||
| In Time Main Theme | Craig Armstrong | D Minor | 4 | 7A | 99 BPM | ||
| Dust | Hans Zimmer | E Minor | 1 | 9A | 93 BPM | ||
| Prisoners | Jóhann Jóhannsson | C Minor | 2 | 5A | 89 BPM | ||
| Domestic Pressures | Jóhann Jóhannsson | A Minor | 1 | 8A | 156 BPM | ||
| Inception Suite: Part 2, Time | Hans Zimmer, Alexios Anest, Rusanda Panfili, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| The Last of the Starks | Ramin Djawadi | C Minor | 3 | 5A | 120 BPM | ||
| Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
| No Time To Die Suite: Part 1 | Hans Zimmer, Steve Mazzaro, Mariko Muranaka, Alexios Anest, Odessa Orchestra & Friends, Gavin Greenaway | E Minor | 2 | 9A | 142 BPM | ||
| The Ninth Legion | Atli Örvarsson | A Minor | 1 | 8A | 74 BPM | ||
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| Maybe We Are Only Two People | Abel Korzeniowski | C Minor | 3 | 5A | 168 BPM | ||
| The Last of Us | Gustavo Santaolalla | E Minor | 5 | 9A | 155 BPM |