Shirley Horn's 'Do It Again' had a release date set for February 14, 1963. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Do It Again's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shirley Horn's "Loads Of Love" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Do It Again is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Do It Again by Shirley Horn to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Late Now | Shirley Horn | A♭ Major | 0 | 4B | 132 BPM | ||
| Lucky To Be Me / Some Other Time | Irene Kral | D Major | 0 | 10B | 172 BPM | ||
| They Can't Take That Away From Me | Fred Astaire | E Minor | 0 | 9A | 68 BPM | ||
| The Man That Got Away | Jane Monheit | B♭ Major | 2 | 6B | 78 BPM | ||
| Comes Love | Irene Kral | C Major | 1 | 8B | 114 BPM | ||
| I'm Confessin' (That I Love You) | Dean Martin | B Minor | 0 | 10A | 182 BPM | ||
| I Should Care | Julie London | A Minor | 1 | 8A | 122 BPM | ||
| Embraceable You | Sarah Vaughan, Clifford Brown | C Major | 1 | 8B | 119 BPM | ||
| Wild Is Love | Shirley Horn | D♭ Major | 3 | 3B | 96 BPM | ||
| Yesterdays | Helen Merrill | D Minor | 1 | 7A | 120 BPM | ||
| In A Sentimental Mood | Cæcilie Norby | F Minor | 3 | 4A | 142 BPM | ||
| Lost In A Blue Note | April Barrows | B♭ Major | 1 | 6B | 100 BPM | ||
| Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
| I'll Be Seeing You | Margaret Whiting | A Major | 1 | 11B | 172 BPM | ||
| Deep in a Dream | Lucy Yeghiazaryan | B♭ Major | 0 | 6B | 125 BPM | ||
| There Is No Greater Love | Betty Carter | F Major | 0 | 7B | 113 BPM | ||
| Everytime We Say Goodbye | Karrin Allyson | D♭ Major | 3 | 3B | 76 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Blame It On My Youth (with Paul Weston & His Orchestra) | Rosemary Clooney, Paul Weston And His Orchestra | G Minor | 1 | 6A | 84 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| Gee, Baby, Ain't I Good To You | Buddy Greco | E♭ Major | 2 | 5B | 105 BPM | ||
| Even in the Evenin' | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| How Little We Know | Susannah McCorkle | D♭ Major | 2 | 3B | 121 BPM | ||
| Sunday Kind Of Love | Diane Schuur | F Minor | 3 | 4A | 101 BPM | ||
| Makin' Whoopee | Emma Smith | F♯ Major | 1 | 2B | 162 BPM |