Tatsuya Ishii's ' "夢の途中" was released on its scheduled release date, September 27, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 16 in DIAMOND MEMORIES (Special Edition) by Tatsuya Ishii. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, 夢の途中's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 夢の途中 by Tatsuya Ishii is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 雪挽歌 | 塩乃華織 | G Minor | 8 | 6A | 138 BPM | ||
| 流木 | Kiyoshi Maekawa | C Minor | 4 | 5A | 95 BPM | ||
| Last Song(ラスト・ソング) | Kiyoshi Maekawa | D Minor | 7 | 7A | 127 BPM | ||
| 流れるままに | Junpei Oda | F Major | 6 | 7B | 94 BPM | ||
| 明日に | Kiyoshi Maekawa | B Major | 6 | 1B | 122 BPM | ||
| ボーイの季節 | Ami Ozaki | D Major | 5 | 10B | 93 BPM | ||
| 月よ高く昇れ | Park Junyoung | E Minor | 5 | 9A | 132 BPM | ||
| ロンリー・チャップリン | Kiyomi Suzuki, Rats & Star | A♭ Major | 9 | 4B | 132 BPM | ||
| Real Passion | Claire Kobayashi | F Minor | 10 | 4A | 108 BPM | ||
| メモリーグラス(誤解だらけ) | Jun Horie | F Major | 4 | 7B | 133 BPM | ||
| 愛し方も分からずに | 東野純直 | A Major | 7 | 11B | 170 BPM | ||
| たったひとりの君だけに | Toshinori Yonekura | B Major | 8 | 1B | 142 BPM | ||
| うまく言えないけど | To Be Continued | B♭ Major | 6 | 6B | 105 BPM | ||
| 駅 | Shigeru Matsuzaki | B Minor | 6 | 10A | 94 BPM | ||
| 黄昏 | Satoshi Kishida | B Minor | 4 | 10A | 183 BPM | ||
| Far away | Takao Horiuchi | D Major | 4 | 10B | 77 BPM | ||
| 君の弱さ | Misato Watanabe | E Major | 8 | 12B | 122 BPM | ||
| JOE - JUST BECAUSE JAYWALK ORIGINAL EDITION 2 Al Version | THE JAYWALK | B Minor | 8 | 10A | 130 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| 私の花 | ゆあさみちる | B♭ Minor | 6 | 3A | 141 BPM | ||
| 恋に落ちた | Yumi Tanimura | C Major | 2 | 8B | 77 BPM | ||
| 夜更けのリフ〜midnight riff | Stardust Revue | G Major | 6 | 9B | 81 BPM | ||
| 17才 - 「ザ・シングルス」LIVE 2018 Day1 | Chisato Moritaka | F Major | 10 | 7B | 134 BPM | ||
| 愛だけがあればいい | Toshihiko Tahara | G Major | 8 | 9B | 112 BPM | ||
| あなたにあげたい愛がある | Masatoshi Nakamura | B♭ Major | 7 | 6B | 117 BPM |