"弥勒世果報(みるくゆがふ) - undercooled - Live at 東京オペラシティコンサートホール 20170325" by Ryuichi Sakamoto, 東北ユースオーケストラ had its release date on March 20, 2024. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 16 in the song's album "The Best of Tohoku Youth Orchestra 2013~2023 (Live)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. Based on our statistics, 弥勒世果報(みるくゆがふ) - undercooled - Live at 東京オペラシティコンサートホール 20170325's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 弥勒世果報(みるくゆがふ) - undercooled - Live at 東京オペラシティコンサートホール 20170325 by Ryuichi Sakamoto, 東北ユースオーケストラ having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Merry Christmas Mr. Lawrence | Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 97 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Inevitable Man Part.1 | Kim Il Du, moc | A Minor | 1 | 8A | 113 BPM | ||
| Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
| Tsuki no Hikari ~Arranged by kazumasa hashimoto | Kazumasa Hashimoto | D♭ Major | 0 | 3B | 72 BPM | ||
| Refracted | Alex Heffes, Ryuichi Sakamoto | F Major | 1 | 7B | 112 BPM | ||
| 風の道(Kaze no Michi) | Taeko Onuki, Ryuichi Sakamoto | D Minor | 0 | 7A | 132 BPM | ||
| Marginalia #48 | Masakatsu Takagi | E Major | 0 | 12B | 65 BPM | ||
| Dawn After Darkness | Cicada | D♭ Major | 2 | 3B | 114 BPM | ||
| Opus (Arr. by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | G Major | 1 | 9B | 84 BPM | ||
| Mekong Hotel | Chai Bhatana | E Major | 1 | 12B | 131 BPM | ||
| Je te veux (Valse pour Piano) | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 110 BPM | ||
| Migratory Birds | Takahiro Kido | F Major | 3 | 7B | 146 BPM | ||
| Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| A Word I Give (with Ryuichi Sakamoto) | Goldmund, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 69 BPM | ||
| Dance PM | Hiroshi Yoshimura | G Major | 0 | 9B | 120 BPM | ||
| O GRANDE AMOR | Morelenbaum2, Ryuichi Sakamoto | D Minor | 2 | 7A | 133 BPM | ||
| 猫村さんのうた | 松重豊, U-zhaan, Ryuichi Sakamoto | F Major | 3 | 7B | 107 BPM | ||
| New Birth | Hayato Sumino | D Minor | 4 | 7A | 84 BPM | ||
| Grains | alva noto, Ryuichi Sakamoto, Ensemble Modern | B♭ Major | 1 | 6B | 114 BPM | ||
| Une Larme | Erinthe | G Major | 0 | 9B | 120 BPM | ||
| Glass After Touch | Silun Mora | G Major | 0 | 9B | 120 BPM | ||
| Miyako Sawafuji | Umitaro Abe | D♭ Major | 1 | 3B | 110 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM |