"Mitchell's Arm" by Harry Gregson-Williams had its release date on November 4, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 46 in Call of Duty: Advanced Warfare (Original Game Soundtrack) by Audiomachine, Harry Gregson-Williams. Mitchell's Arm is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mitchell's Arm by Harry Gregson-Williams is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| Amazons Of Themyscira | Rupert Gregson-Williams | E Minor | 2 | 9A | 80 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Pretty Far From Brooklyn | Atli Örvarsson | C Major | 1 | 8B | 79 BPM | ||
| Reunion | Joel McNeely | C Major | 1 | 8B | 75 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Nemo Egg (Main Title) | Thomas Newman | F Major | 0 | 7B | 79 BPM | ||
| Young Nickerson | Roque Baños | F Major | 2 | 7B | 132 BPM | ||
| The Wardrobe | Harry Gregson-Williams | D♭ Minor | 0 | 12A | 81 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Cora | Trevor Jones | E Major | 1 | 12B | 70 BPM | ||
| I Was Not Brave | Harald Kloser, Thomas Wander | G Minor | 1 | 6A | 55 BPM | ||
| Lord Of The Isles | BBC Scottish Symphony Orchestra | G Major | 2 | 9B | 135 BPM | ||
| Eshkeri: Prologue (Through The Wall) | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 3 | 10B | 70 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Coming Back Around | John Powell | E Major | 8 | 12B | 113 BPM | ||
| Eshkeri: Lamia's Lair | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 5 | 10B | 149 BPM | ||
| Farewell to Gwen | Rohan Stevenson | B♭ Minor | 1 | 3A | 67 BPM | ||
| The Ministry of Magic | Nicholas Hooper | A♭ Major | 0 | 4B | 85 BPM | ||
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| Duneagle | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 2 | 11A | 92 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| The Ocean Returns The Favour - From "Our Planet" | Steven Price | E Minor | 4 | 9A | 103 BPM |