Rakesh Kala's ' "Shri Parshvnath Chalisa" was released on its scheduled release date, September 15, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala's "Jain Chalisa Sangrah" album is number 3 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Shri Parshvnath Chalisa is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Shri Parshvnath Chalisa by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Raghav Lalan Tere Komal Charan | Mishra Bandhu | F♯ Major | 6 | 2B | 135 BPM | ||
| Mere Bhole | Maithili Thakur | B Major | 7 | 1B | 120 BPM | ||
| Shirdi Ke Sai Parthi Ke Baba | Sri Sathya Sai Bhajans | F Major | 2 | 7B | 90 BPM | ||
| Shri Ram Chandra Kripalu Bhajman | Govind Krsna Das | A♭ Major | 5 | 4B | 117 BPM | ||
| Banke Bihari Aarti | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 8 | 2B | 150 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Sidhdhi Vinayak Ki Aarti | Roli Prakash | C Major | 5 | 8B | 80 BPM | ||
| Swami Samarth Stuti | Kedar Phadke, Aboli Girhe, Deepali Desai | F♯ Major | 5 | 2B | 96 BPM | ||
| Shankar Teri Jatao Se | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 123 BPM | ||
| Dutt Bavani | Hari cassettes | F Minor | 9 | 4A | 155 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Baje Kundalpur Mein Badhai | Rajendra Jain, lal chand | F♯ Major | 7 | 2B | 145 BPM | ||
| Nothing Compares to the Sacred Word | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Khakhme Khap Jana Re | Hari Bharwad | C Minor | 5 | 5A | 100 BPM | ||
| Basa Hua Bhagwan Sabke Man Mandir Mein | Prem Bhushan Maharaj | E Minor | 5 | 9A | 135 BPM | ||
| Gajanand Maharaaj Padhro | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A♭ Major | 8 | 4B | 87 BPM | ||
| Sai Sumiran Karo | Bhai Ajay | D♭ Major | 7 | 3B | 110 BPM | ||
| O He Vaishnav Thakur | Sachi kumar Das | E Major | 5 | 12B | 115 BPM | ||
| Nand Lala Ne Mata Yashoda | Shri Nitin Limaye | D♭ Major | 3 | 3B | 125 BPM | ||
| Mere Sai Pyare | Bhai Ajay | F♯ Minor | 5 | 11A | 85 BPM | ||
| Shyam Chudi Bechne Aaya | Anjali Jain | F♯ Major | 6 | 2B | 87 BPM | ||
| Mujhe Charno Se Laga Le Shyam Murli Wale | Mridul Krishan Shastri | B♭ Minor | 8 | 3A | 82 BPM |