Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey's ' "Stan and Mabel: 6. The Great Escape" was released on its scheduled release date, February 16, 2018. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #6. Based on our statistics, Stan and Mabel: 6. The Great Escape's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stan and Mabel: 6. The Great Escape by Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: Suddenly, Something Caught Peter's Attention | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Stan and Mabel: 17. The Competition | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | E♭ Major | 3 | 5B | 133 BPM | ||
| King Charles III Coronation March | Patrick Doyle, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 0 | 11B | 124 BPM | ||
| Andante amoroso | Jalaapeno | A♭ Major | 0 | 4B | 56 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| The Wizard's Exposé / Emerald City Graduation / Fill-In Awards | Hollywood Cinematic Orchestra, The Wizard of Oz at Sphere | E Minor | 3 | 9A | 141 BPM | ||
| Victoria and Merrie England: Scene VII - 1897 - Britain's Glory: Finale: Britannia - The Albert Memorial - God Save The Queen | Arthur Sullivan, RTE Sinfonietta, Andrew Penny | B Major | 1 | 1B | 144 BPM | ||
| Medley from "A Chorus Line" | Orlando Pops Orchestra, Andrew Lane | D Minor | 2 | 7A | 83 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| What Do You Do With An Idea?: Making Friends With An Idea | Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Tilda Cobham Hervey | F Major | 2 | 7B | 124 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 Pantomime | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 64 BPM | ||
| Amor Incondicional | Sirenas Celestiales | E♭ Minor | 3 | 2A | 80 BPM | ||
| Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | ||
| Chocolate Mint Snowflakes | Russell Nollen | D Major | 3 | 10B | 91 BPM | ||
| Acercamientos | Armonias | F Minor | 1 | 4A | 85 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
| Wonderland Suite: V. The Duchess | Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | G Major | 3 | 9B | 50 BPM | ||
| Eternal Light: A Requiem (2008): Dies Irae: In Flanders fields | Howard Goodall, Stephen Darlington, London Musici | D Minor | 2 | 7A | 171 BPM | ||
| Coastal Command Suite: Taking Off At Night | RTE Concert Orchestra, Ralph Vaughan Williams | B♭ Major | 0 | 6B | 138 BPM | ||
| Dunkelrote Rosen | Martin Frank | A♭ Major | 7 | 4B | 168 BPM |