Thomas Newman's ' "Dirty Money" was released on its scheduled release date, August 12, 2002. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Road To Perdition (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. The popularity of Dirty Money is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dirty Money by Thomas Newman having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Mov. 1: "Long Live Freedom" Symphony, Argentine National Symphony Orchestra ("Sinfonía Viva la Libertad") - World Premiere April 11th, 2025 | Lalo Schifrin, Rod Schejtman | G Minor | 2 | 6A | 84 BPM | ||
| Mounting Troubles | Christopher Willis | B♭ Minor | 2 | 3A | 90 BPM | ||
| Ready to Go | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Horrors | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Trailblazer Legacy | Wilbert Roget, II | A Major | 1 | 11B | 83 BPM | ||
| Blood Dog | Thomas Newman | C Minor | 0 | 5A | 118 BPM | ||
| Blood Roses | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Marisol | Thomas Newman | E Major | 0 | 12B | 150 BPM | ||
| The Event | Dave Porter | B Minor | 3 | 10A | 122 BPM | ||
| She Ignited My Curiosity | Kevin Smuts | F Major | 4 | 7B | 120 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | G Minor | 2 | 6A | 84 BPM | ||
| Window of Opportunity | Mychael Danna, Harry Gregson-Williams | A♭ Minor | 6 | 1A | 125 BPM | ||
| John Ronald | Thomas Newman | C Major | 1 | 8B | 120 BPM | ||
| Kristallnacht | Ilan Eshkeri | G Minor | 2 | 6A | 105 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| London 1998 | Howard Shore | D Minor | 0 | 7A | 65 BPM | ||
| National Treasure Suite | Trevor Rabin | B♭ Minor | 4 | 3A | 98 BPM | ||
| The Importance Of This River - From "Our Planet" | Steven Price | A Major | 2 | 11B | 68 BPM | ||
| Spooner Spills | Marco Beltrami | D Minor | 2 | 7A | 99 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| Beelzebufo | Anže Rozman, Kara Talve | G Minor | 3 | 6A | 128 BPM |