On July 23, 2025, the song "Har Saal Shikhar Ji Me 2.0" was released by Roopesh Jain, Ankur Jain Ank. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. Because this song is the only song in Har Saal Shikhar Ji Me 2.0 and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Har Saal Shikhar Ji Me 2.0's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Har Saal Shikhar Ji Me 2.0 by Roopesh Jain, Ankur Jain Ank to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Udhe Sawariye | Sanju Sharma | G Major | 8 | 9B | 136 BPM | ||
| Ae Ji Shyam Thari Nagri Mein | Sanju Sharma | C Major | 9 | 8B | 110 BPM | ||
| Baba Tikhal Wale | Roopesh Jain | G Minor | 8 | 6A | 105 BPM | ||
| Laapataa Dil | Anup Bading | F Minor | 4 | 4A | 149 BPM | ||
| Krishna Bhajan - Meethi Meethi Mere Sanware | Puran Shiva | A♭ Major | 8 | 4B | 82 BPM | ||
| Tumi Protidin Rate | Rashed Zaman, Beauty | B Major | 8 | 1B | 92 BPM | ||
| Jahan Kal Raat Ko Hum The | Rais Anis Sabri | B♭ Major | 8 | 6B | 126 BPM | ||
| नगर में जोगी आया (Nagar Mein Jogi Aaya) | Gulab Nathji | D♭ Minor | 8 | 12A | 83 BPM | ||
| Ei Hridoy Jure | Emon Khan | F♯ Minor | 9 | 11A | 106 BPM | ||
| Hum Dono Do Premi | DAMO HANTAL, KIRAN KHARA | A♭ Minor | 7 | 1A | 81 BPM | ||
| Swadekhor Sou Dikhe | Bipin Chawdang | D♭ Major | 8 | 3B | 90 BPM | ||
| Jinagam Panth Hamara Hai | Acharya Vimarsh Sagar, Roopesh Jain | C Major | 8 | 8B | 132 BPM | ||
| HUM DEEWANE | Vaibhav Bagmar | G Major | 9 | 9B | 160 BPM | ||
| Apoman | Bari Siddiqui | G Major | 7 | 9B | 108 BPM | ||
| Teri Chaukhat Pe Aayi Hoon | Chetna | D♭ Major | 4 | 3B | 74 BPM | ||
| Padmavati Maiyya De Manchaha Vardan | Roopesh Jain, Ankur Jain Ank | D♭ Minor | 9 | 12A | 140 BPM | ||
| Jee Kar Raha Hai (Shyam Bhajan) | Shubham Rupam | G Major | 6 | 9B | 112 BPM | ||
| Sita Ram Sita Ram Kahiye Jahi Vidhi Rakhe Ram | Ritesh Mishra | A♭ Major | 4 | 4B | 129 BPM | ||
| Mujhe Jaini Kul Pariwar Mila | Roopesh Jain | D♭ Minor | 8 | 12A | 84 BPM | ||
| Bhakto Ki Hadtaal Shuru Ho Jayegi | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Tere Ishq Me Pyare Badnaam Ho Chuka Hu | Prem Nath | D♭ Major | 7 | 3B | 80 BPM | ||
| Teri Mahima Kardeyan | Brother Gautam Kumar | D♭ Major | 9 | 3B | 172 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Pyara Brij Dham | Ravindra Upadhyay | B Major | 7 | 1B | 75 BPM | ||
| 84 Laakh Mantron Ka Jo Sartaj Hai | Roopesh Jain | G Minor | 8 | 6A | 105 BPM |