"The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre" by Baroque Festival Orchestra, Alberto Lizzio had its release date on July 1, 1994. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi - The Four Seasons by Baroque Festival Orchestra, I Musici Di San Marco, Alberto Lizzio. The song's track number on the album is #2 out of 18 tracks. The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre by Baroque Festival Orchestra, Alberto Lizzio has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
| Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
| The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
| Les cyclopes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 3 | 7A | 130 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | E Major | 1 | 12B | 102 BPM | ||
| Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
| Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Vivaldi 4 Seasons, Summer 3 - Presto | Manuele Cid | C Minor | 1 | 5A | 142 BPM | ||
| The Four Seasons Spring Op.8 No. 1 Allegro | London Symphony Orchestra | B Major | 10 | 1B | 126 BPM | ||
| Moonlight Sonata No. 1 | Clair de Lune | D♭ Major | 0 | 3B | 73 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen, Noreen Polera | G Minor | 1 | 6A | 75 BPM | ||
| Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
| Concerto For Strings & Harpsichord, C-Major, RV 116: II. Andante | Musici di San Marco, Alberto Lizzio | B Minor | 0 | 10A | 77 BPM | ||
| Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| 2 Pieces, Op. Posth., B. 188: No. 1, Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
| Beethoven Sinfonia No 8 Sht | Belize Ensemble | C Minor | 2 | 5A | 99 BPM | ||
| Minuet 3 - J.S. Bach | Markus Porsklev | G Major | 0 | 9B | 158 BPM | ||
| Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
| Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM |