Carl Maria von Weber, Anton Hollich, Michaela Pühn's ' "Introduktion, Thema und Variationen, Op. Posth." was released on its scheduled release date, June 19, 2015. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 8 in Die virtuose Klarinette in der Promenadenmusik by Anton Hollich, Michaela Pühn. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Introduktion, Thema und Variationen, Op. Posth. is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Introduktion, Thema und Variationen, Op. Posth. by Carl Maria von Weber, Anton Hollich, Michaela Pühn is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | B♭ Major | 2 | 6B | 143 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 1. Moderato | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | C Major | 1 | 8B | 131 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Violin Concerto in C Major, Hob. VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 1 | 7B | 61 BPM | ||
| Missa sancta No. 2, Op. 76, J. 251, "Jubelmesse": Sanctus | Carl Maria von Weber, Anke Hoffmann, Mechthild Georg, Andreas Wagner, Yoo-Chang Nah, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Helmuth Froschauer | E♭ Major | 1 | 5B | 90 BPM | ||
| L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse - Recorded 1982 | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
| Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 96 BPM | ||
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| String Quartet in F Major, Hob.III:17: II. Andante Cantabile | Roman Hoffstetter, Quatuor Modigliani | C Major | 0 | 8B | 77 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied. Allegretto | Fanny Mendelssohn, Trio Chausson | D Major | 1 | 10B | 79 BPM | ||
| Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Missa solemnis, Op. 123: I. Kyrie: a. Kyrie eleison | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM | ||
| La traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | A♭ Major | 0 | 4B | 135 BPM | ||
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
| Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
| Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto | Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 2 | 6B | 107 BPM | ||
| Die drei Pintos, J. Anh. 5, Act I: Terzett - Also frisch das Werk begonnen! (Completed G. Mahler) | Carl Maria von Weber, Sinéad Campbell, Peter Furlong, Robert Holzer, Ales Jenis, Stewart Kempster, Sophie Marilley, Lubomir Matl, Eric Shaw, Alessandro Svab, Barbara Zechmeister, Wexford Festival Opera Chorus, Belarussian National Philharmonic Orchestra, Paolo Arrivabeni | B♭ Major | 0 | 6B | 183 BPM | ||
| Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 119 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |