Rajendra Vaishampayan's ' "Shadows" was released on its scheduled release date, January 5, 2017. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 6 in Aerobics Music by Rajendra Vaishampayan. In terms of popularity, Shadows is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Shadows by Rajendra Vaishampayan is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jay Jay Avadhuta Aarti | Rucha Soman Padhye, Umesh Joshi, Avanti Baporikar | F♯ Major | 3 | 2B | 95 BPM | ||
| Keelakam | Inner Splendor, Vedika Godbole | G Major | 3 | 9B | 85 BPM | ||
| Saptashati Ahdyay 2 | Rajendra Vaishampayan | A♭ Major | 4 | 4B | 82 BPM | ||
| Surya Shastra Mantra | Prem Prakash Dubey | G Minor | 4 | 6A | 115 BPM | ||
| Gayatri Mantra - 432 Hz | Ritesh Mishra, Rajneesh Mishra | D♭ Major | 2 | 3B | 80 BPM | ||
| Hare Ram Hare Ram... Kirtan | Sant Shri Asharamji Bapu | B♭ Minor | 4 | 3A | 74 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Adhyayam, Pt .13 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Nivadak Manache Shlok | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Aasirvachana Mantram | Hari Achuta Rama Sastry | G Major | 3 | 9B | 107 BPM | ||
| Introduction to Ganesh | Harish Bhimani | D♭ Major | 1 | 3B | 168 BPM | ||
| Panchshil | Surykirti | B♭ Major | 4 | 6B | 130 BPM | ||
| Jagat Janani | Bhanumathi Narasimhan | F♯ Major | 8 | 2B | 111 BPM | ||
| Sri Durga Sooktam | Vishwanath H. V., Vanishree, Vijaya Lakshmi | G Major | 4 | 9B | 87 BPM | ||
| Devi Shailputri Beej Mantra | Shashikant Vyas | E♭ Major | 3 | 5B | 74 BPM | ||
| Laxmi Kuber Mantra | Isha Sharma | G Major | 8 | 9B | 128 BPM | ||
| Gaato Vasudev Mi Eka | Baba Maharaj Satarkar | D Minor | 7 | 7A | 110 BPM | ||
| Purusha Suktham | Sri Hari Atchutha Rama Sastry | F♯ Minor | 2 | 11A | 84 BPM | ||
| Ya Kundedu Tushar | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Ganesh Atharvashirsha Stotram | Manoj Desai | A♭ Major | 3 | 4B | 83 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Ashtadik Balahargal | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Kal Bhairav Ashtak | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 74 BPM | ||
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM |