Kamalamma, Raju Ananthaswamy, Traditional's ' "Neere Nee Karethare" was released on its scheduled release date, February 4, 2005. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kamalamma, Raju Ananthaswamy, Traditional's "Kamalamma - Mother Of Mysore Ananthaswamy" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Neere Nee Karethare is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Neere Nee Karethare by Kamalamma, Raju Ananthaswamy, Traditional to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagumomu | K. J. Yesudas, Raj-Koti, Thyagaraja Keerthanas | A Minor | 6 | 8A | 145 BPM | ||
| Balegara Chennayya | C. Ashwath | D♭ Major | 6 | 3B | 93 BPM | ||
| Devi Thurgai | Bombay Saradha | D Major | 4 | 10B | 156 BPM | ||
| Harivarasanamm | M. G. Sreekumar | E Minor | 9 | 9A | 107 BPM | ||
| Namo Bhootha Nadam | S. P. Balasubrahmanyam, Ramu | G Minor | 5 | 6A | 161 BPM | ||
| Sree Lakshmee Varaaham | M. S. Sheela | D Major | 5 | 10B | 161 BPM | ||
| Slokam (Yaman Kalyani) | M. S. Subbulakshmi | C Major | 1 | 8B | 108 BPM | ||
| Kudureya Thandivni | Appagere Thimmaraju, Nanditha | D Major | 4 | 10B | 180 BPM | ||
| Bhagyada Lakshmi Baaramma | Kalavathi | F Major | 5 | 7B | 80 BPM | ||
| Vizhikidaikkuma | Udaiyalur Kalyanaraman | G Major | 7 | 9B | 120 BPM | ||
| Rama Ennuva Eradu Akshara | Puttur Narasimha Nayak | A♭ Major | 5 | 4B | 93 BPM | ||
| Emani Pogudutheme | G Balakrishna Prasad | D♭ Major | 7 | 3B | 160 BPM | ||
| Munula Tapamunade | G Balakrishna Prasad | F Minor | 6 | 4A | 174 BPM | ||
| Bhagyada Lakshmi Baaramma - Female Vocals | Sangeeta Katti Kulkarni | B♭ Minor | 7 | 3A | 92 BPM | ||
| Aanandanadanam (Female) | Raveendran, Kaithapram, Latha | C Minor | 6 | 5A | 99 BPM | ||
| Kande Naa Govindana | Kamalamma, Raju Ananthaswamy, Traditional | D Minor | 4 | 7A | 147 BPM | ||
| Ellaaru Seri Haadiri | Veeramani Raju | D Major | 6 | 10B | 132 BPM | ||
| Thoomani Madaththu | M. L. Vasanthakumari | A♭ Major | 4 | 4B | 97 BPM | ||
| Harivarasanam | D.V. Ramani, Somayajula Murty, S. P. Balasubrahmanyam | D Minor | 4 | 7A | 147 BPM | ||
| Aa Totti Ee Totti | Vedavathi Prabhakar | A Major | 5 | 11B | 135 BPM | ||
| Omkara Bindu | D.V. Ramani, Maruthi Mirajkar, Sri Chandra, Pashupati Prasad Goturi, Murali Krishna, Prashanth Kukukke, Sharath Bilinele, S. P. Balasubrahmanyam | A♭ Major | 7 | 4B | 191 BPM | ||
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| Ithadokade | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Mudakaratha Modhakam | S. P. Balasubrahmanyam, Ramu | F Major | 6 | 7B | 132 BPM | ||
| Santana Gopala | Bombay S. Jayashree | A♭ Major | 8 | 4B | 183 BPM |