Hari Om Sharan's ' "Pranvaun Pawan Kumar(Shlok), Ramdoot Mahaveer Hanuman Sweekaro" was released on its scheduled release date, May 6, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Shree Ram Bhakt Hanuman". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Pranvaun Pawan Kumar(Shlok), Ramdoot Mahaveer Hanuman Sweekaro is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pranvaun Pawan Kumar(Shlok), Ramdoot Mahaveer Hanuman Sweekaro by Hari Om Sharan having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ehi Vidhi Mangal Aarti Kije | Vandana Bhardwaj | D♭ Major | 7 | 3B | 82 BPM | ||
| Mangal Bhavan Amangal Hari | Vijay Prakash | C Minor | 5 | 5A | 90 BPM | ||
| Mere To Girdhar Gopal | Varsha Shrivastava | D♭ Major | 7 | 3B | 150 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Shyam Tujhe Na Chodeenge | Sanjay Mittal | B Major | 8 | 1B | 165 BPM | ||
| Shri Banke Bihari Teri Aarti Gaun | Satish Dehra, Mukul Soni | A♭ Major | 6 | 4B | 150 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Pakad Lo Baah Raghurai | Pujya Rajan Ji Official | B♭ Minor | 6 | 3A | 80 BPM | ||
| Khilona Maati Ka (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | F Major | 9 | 7B | 178 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM | ||
| Jhoola Dare hain Ambua ki daal mein maa | Rakesh Tiwari | A♭ Minor | 5 | 1A | 95 BPM | ||
| Ram Sumir Ke Rahem Kare Na | Hari Om Sharan | F♯ Minor | 3 | 11A | 86 BPM | ||
| Shiv Shambho Shiv Shambho | Shri Nitin Limaye | A♭ Major | 5 | 4B | 143 BPM | ||
| Aarti Kunj Bihari Ki | Hari Om Sharan | D♭ Major | 5 | 3B | 108 BPM | ||
| Sumar Chalo doi biriyan re (Bambuliyan) | Rakesh Tiwari | D♭ Major | 9 | 3B | 151 BPM | ||
| Shiv Ka Naam Lo (From "Chal Kaanwariya Shiv Ke Dham") | Sonu Nigam | E♭ Minor | 9 | 2A | 77 BPM | ||
| Aaja Maa Tenu Ankhiyan Udeek Diyaan (From "Jai Maa Vaishno Devi") | Sonu Nigam | A♭ Major | 8 | 4B | 90 BPM | ||
| Sai Bavni | Mahesh Rao | D♭ Major | 5 | 3B | 90 BPM | ||
| Man Lago Re Lago Guru Bhajani | Swapnil Bandolkar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Hanuman Chalisa Lofi Flip | Sachin Gupta, Hari Om Sharan | A♭ Major | 4 | 4B | 100 BPM | ||
| Guruji na Nam ni Ho Mala | NARAYANSWAMI | F Minor | 5 | 4A | 130 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Hanumanji Ki Aarti | Hari Om Sharan | A Major | 7 | 11B | 88 BPM | ||
| Ramji Ke Naam Ne To Pathar Bhi Tare | Hari Om Sharan | D Major | 4 | 10B | 81 BPM |