"All Blues (For Phill Niblock And James Mcnew)" by Alan Licht had its release date on February 18, 1999. This song appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Rabbi Sky". In this album, this song's track order is #2. All Blues (For Phill Niblock And James Mcnew) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All Blues (For Phill Niblock And James Mcnew) by Alan Licht having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Placelessness 1.1 | Chris Abrahams, Oren Ambarchi, Robbie Avenaim | D Major | 0 | 10B | 135 BPM | ||
| Dervishes on Mars | Roberto Musci | B Minor | 1 | 10A | 148 BPM | ||
| Matango Mushroom Island | Jeremiah Turner | C Major | 4 | 8B | 132 BPM | ||
| Billows, like a shore | Walt McClements | A Major | 2 | 11B | 74 BPM | ||
| Dead Inside | Ruthlesskid | C Major | 1 | 8B | 93 BPM | ||
| Old Vine | Wilson Tanner | A♭ Minor | 1 | 1A | 138 BPM | ||
| Translation | Flaer | G Minor | 1 | 6A | 123 BPM | ||
| waters end - demo | eventides | E Minor | 2 | 9A | 115 BPM | ||
| Prayers | The EvenTunes | B Minor | 3 | 10A | 117 BPM | ||
| canopy | KMRU | D Minor | 1 | 7A | 83 BPM | ||
| What Is Arizona Really Like | Henry Kaiser, Alan Licht | C Major | 8 | 8B | 114 BPM | ||
| Suspenso en la catedral | Vikingo Booster | C Minor | 0 | 5A | 97 BPM | ||
| CuCu - End Credits | La Petite Mort/Little Death | E Minor | 2 | 9A | 115 BPM | ||
| Four Ways To Peel An Orange | Landon Caldwell | A Major | 5 | 11B | 130 BPM | ||
| Merkwürdige Vögel erscheinen im Garten | Läuten der Seele | F♯ Major | 3 | 2B | 118 BPM | ||
| Who Am I Gonna See You Again | Oliver Duncan | C Major | 7 | 8B | 96 BPM | ||
| In Lieu | Mason Lindahl | A♭ Major | 5 | 4B | 100 BPM | ||
| Sparking Node Network | Signal Quest, Lynn Avery, Cole Pulice, Mitch Stahlmann | B♭ Minor | 6 | 3A | 70 BPM | ||
| my soul | TRI HANDOKO, lufyland | B♭ Major | 1 | 6B | 98 BPM | ||
| still | Tashi Dorji | E Minor | 2 | 9A | 115 BPM | ||
| Kanasztancok Ket Hegedun | Hala Strana | G Major | 5 | 9B | 129 BPM | ||
| Mica | Crescent | B Minor | 2 | 10A | 116 BPM | ||
| Creation | The Cosmic Tones Research Trio, Roman Norfleet, Harlan Silverman, Kennedy Verrett | D Major | 2 | 10B | 67 BPM | ||
| The Lazy Song I | BEABEE | E Minor | 2 | 9A | 115 BPM | ||
| Loop II - Bukchon-Ro | P. Fusco | C Major | 2 | 8B | 76 BPM |