John Barry, Adam Faith's 'Final Confrontation - from Never Let Go' had a release date set for 1960. For a fairly short song, this song is "Final Confrontation - from Never Let Go" is considered an explicit song with a duration of 1:31. There are a total of 5 in the song's album "Never Let Go (Remastered 2025)". In this album, this song's track order is #5. Final Confrontation - from Never Let Go is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Final Confrontation - from Never Let Go by John Barry, Adam Faith having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| Theme from the Onedin Line | John Keating/London Symphony Orchestra | D♭ Major | 3 | 3B | 112 BPM | ||
| Theme From Love Story | Francis Lai | A Minor | 1 | 8A | 75 BPM | ||
| Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
| Somewhere In Time - End Credits | John Barry | C Major | 1 | 8B | 79 BPM | ||
| The Diary of Anne Frank - Arr. Harle: If | Michael Nyman, Jess Gillam, BBC Concert Orchestra, Jessica Cottis | B♭ Major | 1 | 6B | 174 BPM | ||
| Sophie's Choice | Laclede Quartet | E Major | 1 | 12B | 81 BPM | ||
| Adágio Schumanniano, Op. 40 | Lohan Dietrich | E Minor | 3 | 9A | 85 BPM | ||
| Missing Love Fantasy | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM | ||
| The Cotton Club | John Barry | D Minor | 0 | 7A | 83 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Fur Elise (Orchestral) | Lucas King | E Minor | 1 | 9A | 85 BPM | ||
| A Christmas Morning | Maurizio Malagnini | D Major | 2 | 10B | 82 BPM | ||
| Blood Ties | Paolo Vivaldi | F Minor | 1 | 4A | 60 BPM | ||
| The Census | Guy Farley | F Major | 1 | 7B | 84 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| The Sundance Kid - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E Minor | 2 | 9A | 118 BPM | ||
| The Train Leaves | Emilio Kauderer, Federico Jusid, And Sebastian Kauderer | E♭ Major | 1 | 5B | 95 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Main Title | Maurice Jarre | B♭ Major | 4 | 6B | 81 BPM | ||
| Cavalleria Rusticana: Intermezzo (Godfather III) | Pietro Mascagni, Razumovsky Symphony Orchestra, Long Yu | F Major | 1 | 7B | 78 BPM |