Boo Hewerdine's ' "Sugar on the Pill" was released on its scheduled release date, May 30, 2005. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Boo Hewerdine's "Harmonograph" album is number 5 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Sugar on the Pill is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sugar on the Pill by Boo Hewerdine to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening and Harbour Bridge | Don McGlashan, Anita Clark | A Major | 3 | 11B | 85 BPM | ||
| Essential Beauty | Steve Schultheis | G Major | 4 | 9B | 110 BPM | ||
| Patience Of Angels | Boo Hewerdine | C Major | 3 | 8B | 59 BPM | ||
| Really Gone (feat. John Martyn & John Conneely) | Ultan Conlon | D♭ Major | 2 | 3B | 98 BPM | ||
| The Hardest Game | John P Bostock | C Major | 4 | 8B | 176 BPM | ||
| shadow of doubt | Steve Ricky Moore | C Minor | 3 | 5A | 110 BPM | ||
| Her Smile | John P Bostock | C Major | 4 | 8B | 176 BPM | ||
| Sepia Dream | Michael S Day | C Major | 2 | 8B | 173 BPM | ||
| The Wild Atlantic Way | Blue Rose Code | F Major | 2 | 7B | 120 BPM | ||
| There Comes a Time | Martin Stephenson, the Daintees | A Major | 7 | 11B | 113 BPM | ||
| Long Since Gone | The Lost Trades | C Minor | 5 | 5A | 122 BPM | ||
| High Love | World Party | D♭ Minor | 3 | 12A | 134 BPM | ||
| Blue Water | JD Eicher | C Major | 2 | 8B | 173 BPM | ||
| Queen of December | The Whileaways | A Major | 5 | 11B | 106 BPM | ||
| Particle & Wave (Solo Acoustic) | John Gorka | D Major | 2 | 10B | 146 BPM | ||
| She's Not There | The Stunning, Shobsy | D Major | 9 | 10B | 163 BPM | ||
| World's End | Boo Hewerdine | E Major | 2 | 12B | 109 BPM | ||
| Raised On Television | Hotel Art, Boo Hewerdine, Vlado Nosáľ | D♭ Minor | 6 | 12A | 120 BPM | ||
| San Francisco Day | John Tiller | D Major | 6 | 10B | 105 BPM | ||
| It Won't Be Long Now | Linda Thompson | B Major | 3 | 1B | 96 BPM | ||
| EVERY FOOL | NEIL SEVEN MOORE | C Major | 2 | 8B | 173 BPM | ||
| Don't Be Afraid | Blue Rose Code | D♭ Major | 3 | 3B | 130 BPM | ||
| The Night Is Young | Boo Hewerdine, Brian Johnson | D♭ Major | 2 | 3B | 90 BPM | ||
| Blue Room | Hothouse Flowers | D Major | 2 | 10B | 79 BPM | ||
| More! - Or Less | Emily Barker, Boo Hewerdine | C Minor | 1 | 5A | 170 BPM |