"Loretta Types" by Paul Leonard-Morgan had its release date on March 17, 2023. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 42 in Boston Strangler (Original Score) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Loretta Types is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Loretta Types by Paul Leonard-Morgan is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Helios | Bobby Krlic | D Major | 8 | 10B | 142 BPM | ||
| Mega City One | Paul Leonard-Morgan | G Major | 4 | 9B | 100 BPM | ||
| Are You a Robot | Philip Glass, Paul Leonard-Morgan | E Major | 0 | 12B | 153 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Hall Of Eagans | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Eddie's Back | Paul Leonard-Morgan | E Minor | 2 | 9A | 72 BPM | ||
| Make History | Danny Bensi and Saunder Jurriaans | E Minor | 0 | 9A | 80 BPM | ||
| Helheim | David García Díaz, Andy LaPlegua | B♭ Major | 2 | 6B | 100 BPM | ||
| Clean the Thrower | Daniel L.K. Caldwell | F Minor | 0 | 4A | 92 BPM | ||
| Rifleman Cooper | Stephen Barton | A Minor | 6 | 8A | 118 BPM | ||
| Shake It Off | Amil Hashimov, Ryan | F♯ Minor | 1 | 11A | 127 BPM | ||
| Monsters | Lovett | F Minor | 1 | 4A | 143 BPM | ||
| Annihilation | Ben Salisbury, Geoff Barrow | E♭ Major | 1 | 5B | 92 BPM | ||
| V | Marcin Przybyłowicz | F Major | 8 | 7B | 90 BPM | ||
| MEETING NEIL | Ludwig Göransson | D♭ Minor | 2 | 12A | 79 BPM | ||
| Heading for the Landing | Jeff Russo | B♭ Minor | 1 | 3A | 133 BPM | ||
| The Heist | P.T. Adamczyk | D♭ Major | 9 | 3B | 178 BPM | ||
| Overlord | Guillaume David | F Minor | 6 | 4A | 140 BPM | ||
| Launch | Daniel L.K. Caldwell | C Minor | 0 | 5A | 67 BPM | ||
| Incubation | Jed Kurzel | G Minor | 1 | 6A | 98 BPM | ||
| The Alpha | Sarah Schachner | D Major | 1 | 10B | 138 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| Dream Already Seen | Bobby Krlic | A Minor | 2 | 8A | 61 BPM | ||
| 1.5_3-trustyourself.bwf | Mac Quayle | D♭ Major | 3 | 3B | 98 BPM | ||
| Rooftops | Ola Strandh | B♭ Minor | 3 | 3A | 164 BPM |