"Missa Pro Defunctis: Introitus" by Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra had its release date on January 1, 2008. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Tomás Luis de Victoria: Vol.1: Missa Pro Victoria, Missa Pro Defunctis". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Spain. Missa Pro Defunctis: Introitus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Pro Defunctis: Introitus by Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Tebe raduyetsia, Op. 15 No. 11 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | E♭ Major | 0 | 5B | 121 BPM | ||
| Costeley: Musique: No. 48, Quand le berger vit la bergère | Guillaume Costeley, A Sei Voci | D♭ Major | 1 | 3B | 69 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| O Domine Jesu Christe | Jean Mouton, The Suspicious Cheese Lords | A Major | 1 | 11B | 72 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| O vos omnes, qui transitis per viam | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | C Major | 1 | 8B | 99 BPM | ||
| Sheppard: Gaude virgo Christiphera - 6. Laus sit Patri et maiestas | John Sheppard, The Tallis Scholars, Peter Phillips | B♭ Minor | 2 | 3A | 108 BPM | ||
| Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
| O quam gloriosum est regnum | Tomás Luis de Victoria, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM | ||
| Sacred Concerto No. 4, "Make a joyful noise unto the Lord": II. All the earth shall worship thee | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | A Major | 0 | 11B | 120 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Missa quatuor vocum pro defunctis: I. Requiem aeternam / Te decet hymnus | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | A Minor | 2 | 8A | 77 BPM | ||
| Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Communion Service in C Major: Agnus Dei | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Blessed is the man that endureth temptation | Harold Darke, The Choir of The Queen's College Oxford, Owen Rees, Molly Skeil | D♭ Major | 1 | 3B | 69 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM |