On August 9, 2016, the song "Ee Baat Ke Mat La Izali" was released by Radhey Shyam Rasiya. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajesh Gupta's "Ganga Putra (Original Motion Picture Soundtrack)" album is number 5 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Ee Baat Ke Mat La Izali's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ee Baat Ke Mat La Izali by Radhey Shyam Rasiya to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asur Nikandan Hey Bhay Bhanjan | Ram Kumar Lakkha | E♭ Major | 8 | 5B | 100 BPM | ||
| Aayi Bahaar | Kailash Kher | E Major | 6 | 12B | 138 BPM | ||
| Chann Tu Puch Le Taryaan To | Narendra Chanchal | D♭ Major | 10 | 3B | 94 BPM | ||
| Toot Gail Choli Ke Batam | Khesari Lal Yadav, Priyanka Singh, Rupa Kavya | B♭ Major | 10 | 6B | 148 BPM | ||
| Devra Rangalas Choliya | Jitendra Singh Anshu, Shilpi Raj, Railhan Studios, Prakash Soni, Dinesh Railhan | F♯ Minor | 10 | 11A | 123 BPM | ||
| Ban Than Chali | Kuldeep Sharma, Dhiraj Sharma, Sanjeev Dixit | E Major | 8 | 12B | 142 BPM | ||
| Jara Chal Ke Vrindavan Dekho | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Januchya Lagnachi Khabar | Sagar Palve, Kishor Jawale | D♭ Major | 10 | 3B | 120 BPM | ||
| DJ Par Nachu Sari Raat Sajna | Gurmukh Musafir, Rashmi Arora | F♯ Major | 9 | 2B | 79 BPM | ||
| Tajulwara Ki Basti | Anis Nawab | B Major | 10 | 1B | 110 BPM | ||
| मैंने खोल दी चड्डी बॉडी | Md Munfed Ahmed, Aslam Singer Mewati, Munfed Niwaliya | E Major | 8 | 12B | 85 BPM | ||
| Mola Maran De | Vivek Sharma | B♭ Minor | 9 | 3A | 152 BPM | ||
| Hogev Maya Ma Behal | Sunil Soni, Kanchan Joshi, Nitin Dubey, Anupama Mishra | D♭ Major | 9 | 3B | 136 BPM | ||
| Kaisan Bade Vrinda Banwa | Radhey Shyam Rasiya | A♭ Major | 7 | 4B | 114 BPM | ||
| Murcha Chhodal Ho | Radhe Shyam Rasiya, Sarmista | D♭ Major | 7 | 3B | 154 BPM | ||
| Dhuna Tere Hi Naam Da Laya | Karnail Rana | G Major | 9 | 9B | 134 BPM | ||
| chopniya re pana me jambheswar bhajan | Swami Sachchidanand | A Major | 9 | 11B | 168 BPM | ||
| Barsana Laage Mohe Pyara | Chitra Vichitra ji | D♭ Minor | 9 | 12A | 174 BPM | ||
| Tera Dar Har Dar Se Nirala Sai Bhajan | Anup Jalota, Avinash Jha | A Minor | 10 | 8A | 105 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM | ||
| Janeu Laukta | Diwakar Dwivedi | F Minor | 10 | 4A | 112 BPM | ||
| Changa Sada Yar Aen | Shafa Ullah Khan Rokhri | D♭ Minor | 10 | 12A | 122 BPM | ||
| Apke Dar Pe Jo Aa Gaya | Sonia Arora | E♭ Minor | 9 | 2A | 194 BPM | ||
| Sadi Ke Card | Prince Priya | G Major | 9 | 9B | 82 BPM | ||
| लिख़कनी मेहंदी सु नाम हथेलीपे | Sahil Don Mewati, SAHIL JATOLIYA | F♯ Minor | 9 | 11A | 107 BPM |