Jim Hall's ' "You'd Be So Nice To Come Home To" was released on its scheduled release date, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Concierto (CTI Records 40th Anniversary Edition) by Jim Hall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, You'd Be So Nice To Come Home To is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of You'd Be So Nice To Come Home To by Jim Hall is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Softly As In A Morning Sunrise - Live At The Village Vanguard, 1961 | John Coltrane Quartet | C Minor | 4 | 5A | 105 BPM | ||
| 2 Degrees East, 3 Degrees West | Jim Hall | F Minor | 1 | 4A | 109 BPM | ||
| Ornithology | Bud Powell | G Minor | 3 | 6A | 88 BPM | ||
| Midnight Voyage | Michael Brecker | C Minor | 3 | 5A | 126 BPM | ||
| Didn't Know About You | Johnny Hodges & His Orchestra | A♭ Minor | 1 | 1A | 184 BPM | ||
| Midnight Blue - Remastered 1999/Rudy Van Gelder Edition | Kenny Burrell | F Minor | 4 | 4A | 149 BPM | ||
| The Way You Look Tonight - Take 2 | Wes Montgomery Trio | F Major | 3 | 7B | 134 BPM | ||
| In Your Own Sweet Way | Miles Davis Quintet | F♯ Major | 3 | 2B | 114 BPM | ||
| Polka Dots and Moonbeams | Paul Desmond, Jim Hall | F Major | 1 | 7B | 96 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| Too Late Now | Wes Montgomery Trio | C Major | 1 | 8B | 113 BPM | ||
| Black Is The Color Of My True Love's Hair | Bill Smith, Shelly Manne, Jim Hall, Monty Budwig | G Minor | 1 | 6A | 92 BPM | ||
| Butch And Butch | Oliver Nelson | C Major | 5 | 8B | 104 BPM | ||
| But Not For Me | Red Garland, Paul Chambers, Art Taylor | B♭ Minor | 2 | 3A | 80 BPM | ||
| Caravan - Instrumental | Art Blakey, The Jazz Messengers | C Major | 8 | 8B | 97 BPM | ||
| Along Came Betty | Jesse Van Ruller | A Minor | 3 | 8A | 123 BPM | ||
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| Mean To Me | Nat Adderley, Wes Montgomery | F Minor | 1 | 4A | 133 BPM | ||
| Peace | Ornette Coleman | B Major | 1 | 1B | 127 BPM | ||
| Infant Eyes - Remastered1998/Rudy Van Gelder Edition | Wayne Shorter | F♯ Minor | 7 | 11A | 182 BPM | ||
| Reflections | Kurt Rosenwinkel | A♭ Major | 1 | 4B | 106 BPM | ||
| Chelsea Bridge | Joe Henderson Sextet | E♭ Minor | 1 | 2A | 171 BPM | ||
| Elsa | Bill Evans Trio | A♭ Minor | 1 | 1A | 118 BPM | ||
| Monk's Dream - Take 8 | Thelonious Monk | F Major | 3 | 7B | 81 BPM | ||
| Bouncin' With Bud - Remastered 1998/Rudy Van Gelder Edition | Bud Powell | G Minor | 5 | 6A | 174 BPM |