"Still Somehow" by Christopher Paul Stelling had its release date on September 18, 2024. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The song is number 18 out of 20 in Forgotten but Not Gone & Few and Far Between by Christopher Paul Stelling. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Still Somehow is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Still Somehow by Christopher Paul Stelling is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let There Be Horses | The Barr Brothers | D Major | 3 | 10B | 117 BPM | ||
| Meadow of a Dream | The Felice Brothers | C Major | 4 | 8B | 122 BPM | ||
| How I Love You | Robert Ellis | E Major | 7 | 12B | 129 BPM | ||
| Wild Dreams | Henry Conlon | E♭ Major | 6 | 5B | 171 BPM | ||
| Birds Can Write the Chorus | Dead Horses | B Major | 2 | 1B | 141 BPM | ||
| Old Town | Luis Trindade | B♭ Major | 2 | 6B | 100 BPM | ||
| Making Pies | Craig Cardiff | E♭ Major | 4 | 5B | 79 BPM | ||
| I’m Coming Home Tomorrow | Darkii | G Major | 7 | 9B | 94 BPM | ||
| I Will Remain | Matthew And The Atlas | A♭ Major | 4 | 4B | 124 BPM | ||
| Don't Think Twice, It's All Right | Cicada Rhythm | E Major | 3 | 12B | 117 BPM | ||
| Bonny Light Horseman | Bonny Light Horseman, Eric D. Johnson, Josh Kaufman, Anaïs Mitchell | B Minor | 3 | 10A | 79 BPM | ||
| You Have To Believe | Christopher Paul Stelling | D Major | 2 | 10B | 111 BPM | ||
| Resurrection Bay | John Craigie | B Minor | 8 | 10A | 111 BPM | ||
| Exit | Joe Pug | G Major | 2 | 9B | 172 BPM | ||
| Love is an Unraveling Bird's Nest | Charlie Parr | D Major | 3 | 10B | 112 BPM | ||
| the constant presence | steve denvermoore | C Major | 4 | 8B | 91 BPM | ||
| The Banks of the Leopold Canal | The Deep Dark Woods | E Major | 5 | 12B | 122 BPM | ||
| Board That Plane | Honeysuckle | F Major | 4 | 7B | 149 BPM | ||
| Harpers Ferry | Miner | G Major | 3 | 9B | 170 BPM | ||
| American Hearts | A.A. Bondy | D Major | 4 | 10B | 118 BPM | ||
| The Best Exceptions | Kitty Andrew | C Major | 4 | 8B | 109 BPM | ||
| Santa Fe | Samantha Crain | B♭ Major | 4 | 6B | 71 BPM | ||
| Oh, River | Christopher Paul Stelling | B♭ Major | 5 | 6B | 184 BPM | ||
| Falling Water | Peter Oren | F♯ Minor | 2 | 11A | 80 BPM | ||
| The Temptation of Adam (30 Days, 30 Songs)[Live] | Josh Ritter | B Minor | 5 | 10A | 89 BPM |