On October 2, 2019, the song "Gahana Chada To Jiyara Jurada" was released by Bijli Rani. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. This song is part of Vivah Gari (larka Wala) by Bijli Rani. The song's track number on the album is #6 out of 12 tracks. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Gahana Chada To Jiyara Jurada is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Gahana Chada To Jiyara Jurada by Bijli Rani has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gahana Chada To Jiyara Jurada being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuhnji Akh Sharab Khano | Shaman Ali Mirali | B♭ Minor | 4 | 3A | 140 BPM | ||
| Swaminarayan Akshardham Ko | Baps Swaminarayan Sanstha | G Major | 6 | 9B | 89 BPM | ||
| Tui Ki Chili | Ferdous Ara | F Minor | 9 | 4A | 154 BPM | ||
| Delhi Mumbai Kolkata Ghumaibau | Nitish Sharma | A♭ Major | 9 | 4B | 170 BPM | ||
| Hari-Hari Kamdi Se | Anandilal Bhawel | D♭ Major | 5 | 3B | 65 BPM | ||
| Roje - Roje Aayi Ae Maiya | Bharat Sharma Vyas | A♭ Major | 4 | 4B | 99 BPM | ||
| Bhai Nitish Ji Ke | Bikki Bahar, Bijli Rani | D♭ Major | 6 | 3B | 144 BPM | ||
| Tor Sang Bharamthe Mola | Gorelal Barman, Ratan Sabiha | F♯ Major | 7 | 2B | 160 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Dham Dhama Dham Dholki Vage Ramva Jaiye Hindoma | Jashvant Rathva, Satish Tarabada, Tulsi Tarabada | F♯ Major | 8 | 2B | 120 BPM | ||
| Sun To Le Wo | Gorelal Barman | C Major | 6 | 8B | 108 BPM | ||
| Hamaro Man Moh Liyo | Shahnaz Akhtar | A♭ Major | 8 | 4B | 102 BPM | ||
| Khatu Wale Mujhe Bulale Ekbar | Sanjay Mittal, Nandu Ji, Uma Lahari, Mukesh Bagda | F♯ Major | 6 | 2B | 135 BPM | ||
| Karejau Karejau | Bijli Rani | E Major | 6 | 12B | 122 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Mor Kheti Khaar | Laxman Masturiya, Kavita Vasnik | D Minor | 8 | 7A | 88 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Bhairav Maar Rahe Kilkari | Sanjay Gulati | D Major | 8 | 10B | 183 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Mera Shyam Ke Do Naina | Pyare Chauhan | B♭ Minor | 7 | 3A | 93 BPM | ||
| Danteshwari Dai | Dukalu Yadav | B♭ Minor | 9 | 3A | 82 BPM | ||
| Mann Ke Anhariya | Anand Mohan, Palak, Madhukar Anand | D Minor | 7 | 7A | 80 BPM | ||
| Kekari Padal Bad | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Tohar Tab Yaad Aave | Madan Rai | D♭ Minor | 4 | 12A | 92 BPM |