Rajender Kharakiya, Ranbir, Pale Ram, Bali Sharma's ' "Tane Mehal Ke Part 5" was released on its scheduled release date, July 15, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajender Kharakiya's "Kaun Khiladi Kaun Anari Vol 12" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Tane Mehal Ke Part 5's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tane Mehal Ke Part 5 by Rajender Kharakiya, Ranbir, Pale Ram, Bali Sharma to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ما تيسر من سورة الأحزاب | الشيخ احمد نعينع | A Major | 9 | 11B | 98 BPM | ||
| Tasveer Banane Wale | Rafique Gaznavi, Khursheed Bano | F♯ Major | 1 | 2B | 74 BPM | ||
| Hay Daste Qibla Numa | Al Islam, Aaliya Koser | B♭ Minor | 2 | 3A | 83 BPM | ||
| Aisa Damru Bajaya Bholenath Ne | The Bundeli Artists | B Minor | 6 | 10A | 136 BPM | ||
| Pathadi Puthukulle (Nagathamman) | Jayakumar Poosari | B♭ Minor | 7 | 3A | 124 BPM | ||
| Mei Bhang Ragad Ke Piya Karu | Shri Bansi Jogi | F♯ Major | 5 | 2B | 82 BPM | ||
| Afna Bsehaq | Diacon Brhane | B Major | 9 | 1B | 85 BPM | ||
| Balak Pan Ka Yaar Sudama Part 7 | Satbir | A♭ Major | 3 | 4B | 130 BPM | ||
| Zim Atbelu | Yilma Hailu | E Minor | 4 | 9A | 175 BPM | ||
| Bijli Kadke | Azad Singh Khandakhedi | G Minor | 1 | 6A | 74 BPM | ||
| ریمیکس تیت محلی اموتو آرام | موزیک محلی | B♭ Minor | 5 | 3A | 92 BPM | ||
| Hay Pavalaay Dev Majha Malhari | Shahir Sable | F♯ Major | 7 | 2B | 125 BPM | ||
| Tan Ke Dekho Chelo Part 7 | Rajender Kharakiya, Ranbir, Pale Ram, Bali Sharma | A♭ Major | 5 | 4B | 132 BPM | ||
| Tum Sau Sau Kesha Part 6 | Satbir, Pale Ram | G Major | 5 | 9B | 73 BPM | ||
| Manne Mar Gi Pissa Ali | Rajender Kharkiya | D♭ Minor | 4 | 12A | 117 BPM | ||
| Dulla - Sikh Dhadhi | Puran Singh Arshi | B♭ Major | 9 | 6B | 106 BPM | ||
| Anth Bahar Di | Ustad Noor Bakhsh, Zeeshan | D Minor | 6 | 7A | 118 BPM | ||
| Allah lâ ilâha illâ Allâh | Tijâniyya, Murîdiyya | E♭ Major | 3 | 5B | 65 BPM | ||
| Teri Akhya Ke | Master Satbeer Singh | D♭ Major | 9 | 3B | 146 BPM | ||
| Az Dasti Natesha Tet | Feroz Kondozi | A♭ Major | 8 | 4B | 187 BPM | ||
| Ya Nav Naval Nainostava | Ramdas Kamat | E Major | 6 | 12B | 119 BPM | ||
| งามแสงเดือน | ศิลปินกรมศิลปากร | B Major | 3 | 1B | 137 BPM | ||
| Jab Levan Gaya Part 8 | Rajender Kharakiya, Ranbir, Pale Ram, Bali Sharma | F Minor | 4 | 4A | 62 BPM | ||
| Folkmelodie | Mohammad Omar | E♭ Major | 6 | 5B | 167 BPM | ||
| Thalli Tellangana (Oggu Katha) | Vemulavada Buggaiah | G Minor | 7 | 6A | 102 BPM |