"Basin Street Blues" by Teresa Brewer had its release date on January 26, 1956. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The World Behind". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Basin Street Blues's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Basin Street Blues by Teresa Brewer having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anytime | Eddie Fisher | C Major | 1 | 8B | 94 BPM | ||
| Body & Soul | Dorothy Dandridge | D Major | 1 | 10B | 116 BPM | ||
| Baby, Don't You Quit Now | Carol Sloane | G Minor | 0 | 6A | 185 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Chain | Martha Perez | C Major | 1 | 8B | 94 BPM | ||
| My Sweetie & I | Jesse Palter | D Major | 2 | 10B | 123 BPM | ||
| Black Coffee | Live Foyn Friis, Bård Helgerud, Rodrigo Villagra, Magnus Sefaniassen Eide | D Minor | 3 | 7A | 93 BPM | ||
| Heart & Soul | Mel Torme & The Mel-Tones | E♭ Major | 0 | 5B | 90 BPM | ||
| Cheek to Cheek | Ed Jones, Heine Hansen, Bastian Sjelberg, Kristoffer Sjelberg | A Minor | 4 | 8A | 139 BPM | ||
| I Love Being Here With You | Buddy Greco | G Minor | 5 | 6A | 74 BPM | ||
| Nice Work If You Can Get It | Kristina Ray | D♭ Major | 3 | 3B | 75 BPM | ||
| The Little Things That Mean So Much | Carmen McRae | F Major | 1 | 7B | 93 BPM | ||
| I'm Old Fashioned | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | D♭ Major | 2 | 3B | 125 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| September In The Rain | Sue Raney | C Minor | 3 | 5A | 100 BPM | ||
| Baby, Don't You Cry | Dakota Staton | A♭ Minor | 2 | 1A | 75 BPM | ||
| I Didn't Know What Time It Was | Dorothy Dandridge | G Major | 2 | 9B | 100 BPM | ||
| Love For Sale | Shirley Horn | F Minor | 1 | 4A | 75 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| I Gotta Go Get My Baby | Teresa Brewer | E♭ Major | 7 | 5B | 132 BPM | ||
| A Woman in Love (with Percy Faith & His Orchestra) | Frankie Laine, Percy Faith & His Orchestra | A Major | 5 | 11B | 111 BPM | ||
| It's Only a Paper Moon | Lee Wiley | C Major | 1 | 8B | 94 BPM | ||
| It's All In The Game - 1951 Version / Bonus Track | Tommy Edwards | E♭ Major | 2 | 5B | 86 BPM | ||
| All Of Me | Johnnie Ray, The Buddy Cole Quartet | E♭ Major | 2 | 5B | 130 BPM | ||
| You Belong to Me | Jane Morgan | F Major | 3 | 7B | 116 BPM |