Anuradha Paudwal's 'Ooth Mukunda Ooth Sridhara' had a release date set for December 1, 1979. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 7 in Ashtavinayak (Original Motion Picture Soundtrack) by Anil-Arun. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Ooth Mukunda Ooth Sridhara is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ooth Mukunda Ooth Sridhara by Anuradha Paudwal is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aale Manat Majhya | Suman Kalyanpur | G Minor | 3 | 6A | 152 BPM | ||
| Aamay Nahe Go Bhalobaso Mor Gaan - With Narration | Firoza Begum, Satinath Mukherjee | B♭ Minor | 6 | 3A | 93 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Ovolu Arati Madan Gopala | Ravindra Sathe, Sangeeta Kulkarni | F Minor | 9 | 4A | 116 BPM | ||
| Nammamma Sharade | Narashima Naik, Purandara Dasaru | G Major | 8 | 9B | 115 BPM | ||
| Gata Gata Tuj Aalvita | Prahlad Shinde | A♭ Major | 6 | 4B | 84 BPM | ||
| Ali Aie Babani | Usha Mangeshkar | D♭ Minor | 3 | 12A | 110 BPM | ||
| Bindine Bhang Bharle | Madhuri Mahajan | E Major | 6 | 12B | 88 BPM | ||
| Dev Majha Vithu | Vasant Prabhu | A Major | 1 | 11B | 131 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Haadu Kogile | Rajkumar | D♭ Major | 3 | 3B | 129 BPM | ||
| Kar Ha Kari | Vasantrao Deshpande | E Minor | 6 | 9A | 118 BPM | ||
| Jai Devi Jai Devi Jai Mahalaxmi | Anuradha Paudwal | F Major | 6 | 7B | 168 BPM | ||
| Sukhache Je Sukh | Jitendra Abhisheki, Aarya Ambekar | G Major | 6 | 9B | 126 BPM | ||
| JAI JAI AARTI NITYANAND RAYA | Group Chant | D♭ Minor | 9 | 12A | 105 BPM | ||
| Pandurang Nami Laglase Dhyas | Bela Shende | G Minor | 2 | 6A | 125 BPM | ||
| Kuthe Shodhu Mi Tumhala | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Hruday Bharuni Aale Mazhe | Shakuntala Jadhav | E Major | 5 | 12B | 78 BPM | ||
| He Parmeshwar Vishwa Vidhaata Prarthana | Hari Om Sharan | C Minor | 5 | 5A | 146 BPM | ||
| Sri Manjunatha | Rajkumar | F Minor | 6 | 4A | 136 BPM | ||
| Haat Bhimane Jodile | Milind Shinde | E♭ Minor | 5 | 2A | 114 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Radu Nako Bala Swami Pathishi Aahe | DEEPA RANE | F Major | 8 | 7B | 112 BPM | ||
| Datta Pathirakha | Mugdha Vaishampayan, Prathamesh Laghate | F Major | 4 | 7B | 124 BPM | ||
| Abelay Hat Bhangli Shyama | Dhananjay Bhattacharya | E♭ Minor | 4 | 2A | 85 BPM |