Jeffrey Martin's 'The Corners' had a release date set for May 12, 2017. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 19 in Dogs in the Daylight (Expanded Edition) by Jeffrey Martin. Based on our statistics, The Corners's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Corners by Jeffrey Martin is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Young Dreams | Cujo Moon | C Major | 3 | 8B | 133 BPM | ||
| A Long, Cold Night in Minneapolis | Dead Man Winter | B♭ Major | 3 | 6B | 120 BPM | ||
| Sinking Ship | Glorietta, Kelsey Wilson | E Minor | 3 | 9A | 101 BPM | ||
| Whatever You Want | Arlo McKinley | G Major | 3 | 9B | 104 BPM | ||
| Dust and Magic | Anna Tivel | D Major | 2 | 10B | 140 BPM | ||
| Shining in the Distance | The Stray Birds | A Major | 6 | 11B | 101 BPM | ||
| Tom Barrett | Ian Noe | E Minor | 5 | 9A | 140 BPM | ||
| So Damn Lucky | Taylor McCall | B♭ Major | 3 | 6B | 120 BPM | ||
| When You Bloom (Colorado) | Rachel Baiman | G Major | 2 | 9B | 90 BPM | ||
| Like A Feather | Andrew Combs | C Major | 5 | 8B | 138 BPM | ||
| Heartache After Heartache | Thomas Csorba | G Major | 5 | 9B | 91 BPM | ||
| I Could've Been Your Lover Too | Rachel Baiman | B Minor | 2 | 10A | 136 BPM | ||
| The Flood in Color | Joe Pug | B Major | 3 | 1B | 102 BPM | ||
| Knuckleball Prime | Willy Tea Taylor | F Major | 3 | 7B | 73 BPM | ||
| Cairo, Il | The Brother Brothers | E♭ Major | 2 | 5B | 83 BPM | ||
| The Doorframe | Marty O'Reilly & the Old Soul Orchestra | G Major | 4 | 9B | 96 BPM | ||
| No Man's Land | Andrew Duhon | F♯ Major | 5 | 2B | 124 BPM | ||
| Wild Wild Love | Reed Foehl | E Minor | 7 | 9A | 95 BPM | ||
| Next Year | Donovan Woods | F Major | 2 | 7B | 80 BPM | ||
| High on You Under the Moon | Ken Yates | A Major | 2 | 11B | 120 BPM | ||
| Roll Me on Home | Ken Yates | E♭ Major | 4 | 5B | 128 BPM | ||
| By the Light of the Moon | Dave Simonett | E Major | 3 | 12B | 84 BPM | ||
| Took You Out on the Road | Lou Hazel | E♭ Major | 3 | 5B | 146 BPM | ||
| Steal the Night Away (Radio Edit) | Daniel Rodriguez | D♭ Minor | 3 | 12A | 77 BPM | ||
| Acre of Land | Jeremie Albino | D Major | 7 | 10B | 150 BPM |