Nalini Jaywant, Balak Ram's ' "Teri Chitthion Se Sharmaoon" was released on its scheduled release date, December 31, 1950. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Vasant Desai, S. R. Saaz, Dewan Sharar's "Hindustan Humara" album is number 5 out of 5. On top of that, India appears to be the country where this track was created. Based on our statistics, Teri Chitthion Se Sharmaoon's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Teri Chitthion Se Sharmaoon by Nalini Jaywant, Balak Ram to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awara Hoon | Mukesh | F♯ Minor | 5 | 11A | 88 BPM | ||
| Paisa Nahin Hota Jo Ye Paisa | Anil Biswas, Manna Dey | D Minor | 5 | 7A | 129 BPM | ||
| Tang Aa Chuke Hai Verse | Mohammed Rafi, S. D. Burman | D Major | 1 | 10B | 80 BPM | ||
| Mero Pauma | Gopal Yonjan, Meera Rana | D Minor | 7 | 7A | 125 BPM | ||
| Do Din Bahar | Jayshree | D Minor | 3 | 7A | 141 BPM | ||
| Main Kya Janu Kya Jaadoo Hai | K. L. Saigal | E Minor | 3 | 9A | 70 BPM | ||
| Baat Karni Tujhey | Mehdi Hassan | C Major | 4 | 8B | 73 BPM | ||
| Aaj Kaun Gali Gayo Shyam | Parveen Sultana | E♭ Major | 4 | 5B | 115 BPM | ||
| Sabai Behoshi Nasha | Bhakta Raj Acharya | D Major | 7 | 10B | 167 BPM | ||
| Jaat Kahan Ho | Kesarbai Kerkar | F♯ Minor | 7 | 11A | 94 BPM | ||
| Ambuva Ki Dari Se Boli | Jayshree | C Minor | 2 | 5A | 140 BPM | ||
| Jeevan Se Lambe Hai Bandhu | Manna Dey | D♭ Major | 2 | 3B | 83 BPM | ||
| Aai Nai Bahar | Nalini Jaywant | D Major | 1 | 10B | 72 BPM | ||
| Jamuna Tat Par Khele Aori | Rai Krmat | F Major | 3 | 7B | 104 BPM | ||
| Ichak Beechak Ghurr | Shamshad Begum | D♭ Major | 6 | 3B | 52 BPM | ||
| Thandi Hawayein Lehra Ke Aayein | Nalini Jaywant | B♭ Major | 2 | 6B | 113 BPM | ||
| Yeh Bharat Ki Hai Shaan | Sridhar Parsekar, Master Krishnarao | E Major | 3 | 12B | 79 BPM | ||
| Main Khili-Khili Phoolwari | Shanta Apte, Lata Mangeshkar | D♭ Minor | 4 | 12A | 75 BPM | ||
| Shyam Rang Ranga Re | K. J. Yesudas | D♭ Major | 3 | 3B | 198 BPM | ||
| Dostat Darom Hamesha | Ahmad Zahir | D♭ Major | 6 | 3B | 95 BPM | ||
| Meraa Dil Ye Pukaare Aa Jaa, From ''Nagin'' | Lata Mangeshkar | G Minor | 2 | 6A | 110 BPM | ||
| Bahe Dheere Dheere Naiya | N. H. Shami, Vinod | D Minor | 6 | 7A | 135 BPM | ||
| Hamri Atariya Pe Aao (Dadra) | Begum Akhtar | D Minor | 6 | 7A | 74 BPM | ||
| Chadh Gayo Papi Bichhua | Lata Mangeshkar, Manna Dey, Salil Chowdhury | C Minor | 5 | 5A | 114 BPM | ||
| Ghir Ghir Aaye Badarwa Kare | Talat Mahmood, Mubarak Begum | F Minor | 3 | 4A | 72 BPM |