On August 18, 1999, the song "The Tide Is High" was released by John Holt. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Tide Is High's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Still In Chains/Holt...Plus". In this album, this song's track order is #21. The Tide Is High is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Tide Is High by John Holt having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teach the Children | Dennis Alcapone | C Major | 5 | 8B | 77 BPM | ||
| Freely | Bob Andy | E Minor | 5 | 9A | 130 BPM | ||
| Fally Ranking | Johnny Osbourne | G Major | 6 | 9B | 131 BPM | ||
| Under Me Sleng Teng | Wayne Smith | D Major | 5 | 10B | 82 BPM | ||
| Never Never Never (feat. John Holt) | Rene Byrd, John Holt | B Major | 6 | 1B | 82 BPM | ||
| Plastic Smile | Black Uhuru | D♭ Major | 4 | 3B | 134 BPM | ||
| Tell I A Lie | Hugh Mundell | F Minor | 5 | 4A | 136 BPM | ||
| Heart And Soul | Junior Byles | D Minor | 4 | 7A | 59 BPM | ||
| Revolution | Dennis Brown | A Minor | 5 | 8A | 85 BPM | ||
| Juvenile Delinquent | Black Roots | F♯ Minor | 3 | 11A | 120 BPM | ||
| Jamaica Nice/Take Me Home Country Roads | Yellowman | C Major | 4 | 8B | 83 BPM | ||
| 007 (Shanty Town) | Desmond Dekker & The Aces | A Major | 6 | 11B | 102 BPM | ||
| Aily and Ailaloo | Niney The Observer | E Major | 6 | 12B | 128 BPM | ||
| Why Am I A Rastaman? | Culture | B Major | 6 | 1B | 81 BPM | ||
| Dreadlocks Time/ Fist To Fist | Junior Byles, Kojak & Liza | A Major | 6 | 11B | 77 BPM | ||
| General Penitentiary | Black Uhuru | D♭ Major | 3 | 3B | 132 BPM | ||
| Sweetie Come Brush Me | John Holt | F Major | 5 | 7B | 149 BPM | ||
| Satta Massagana | The Abyssinians | A Minor | 4 | 8A | 77 BPM | ||
| African Children | Aswad | G Minor | 8 | 6A | 142 BPM | ||
| Dread Are the Controller | Linval Thompson | B Major | 8 | 1B | 78 BPM | ||
| War Ina Babylon | Max Romeo, The Upsetters | G Major | 4 | 9B | 146 BPM | ||
| Satisfaction | Errol Dunkley | E Minor | 5 | 9A | 79 BPM | ||
| Forward On to Zion | The Abyssinians | D Major | 5 | 10B | 135 BPM | ||
| Mr. Bojangles | John Holt | D Major | 2 | 10B | 130 BPM | ||
| Water Pumping | Johnny Osbourne | B♭ Minor | 8 | 3A | 81 BPM |