"Schlaflied" by Subway To Sally had its release date on 1997. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Schlaflied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Bannkreis by Subway To Sally. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Schlaflied is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Schlaflied by Subway To Sally is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wir sind Midgard | Erdling | F Major | 10 | 7B | 140 BPM | ||
| Kneipenschlägerei | Knasterbart | G Major | 10 | 9B | 122 BPM | ||
| Brücken | Dämmerland, Tetzel | F Minor | 6 | 4A | 125 BPM | ||
| Der Meister | Eichenschild | D Minor | 4 | 7A | 170 BPM | ||
| Hey wir sind Heiden | Rabenschrey | C Major | 10 | 8B | 90 BPM | ||
| Wild und frei (die Hexe Runa) | Corvus Corax, Ji-In Cho | D Minor | 7 | 7A | 116 BPM | ||
| Liebesglut | Reliquiae | A Minor | 7 | 8A | 133 BPM | ||
| Horizont | In Extremo | G Major | 9 | 9B | 163 BPM | ||
| Hoch die Krüge | Versengold | G Minor | 8 | 6A | 120 BPM | ||
| My Bonnie Mary | Fiddler's Green | D♭ Major | 10 | 3B | 105 BPM | ||
| Fährmann | Forgotten North | E Minor | 6 | 9A | 138 BPM | ||
| Rausch der Sinne | Vroudenspil | G Major | 9 | 9B | 113 BPM | ||
| Gossenabitur | Knasterbart | G Major | 9 | 9B | 155 BPM | ||
| Aufbruch | Wolfenmond | A Minor | 9 | 8A | 145 BPM | ||
| Spieglein, Spieglein | Krayenzeit | A Minor | 9 | 8A | 120 BPM | ||
| Siehst du das Licht | In Extremo | G Major | 8 | 9B | 106 BPM | ||
| Die Motte | Reliquiae | A Minor | 9 | 8A | 155 BPM | ||
| Salome | Saltatio Mortis, Doro | A Minor | 10 | 8A | 188 BPM | ||
| Steh wieder auf | Rauhbein | F Major | 8 | 7B | 134 BPM | ||
| Die Tanzwut kehrt zurück | Tanzwut | D Major | 9 | 10B | 177 BPM | ||
| Heimfahrt | Mythemia | D Minor | 4 | 7A | 128 BPM | ||
| Galgenvogel | Vogelfrey | E Minor | 10 | 9A | 200 BPM | ||
| Die Hasslichen Kinder | Schelmish | B♭ Minor | 7 | 3A | 165 BPM | ||
| Moor | Coppelius | D Major | 9 | 10B | 105 BPM | ||
| Ein Experiment | Coppelius | C Major | 8 | 8B | 130 BPM |