"Exit" by Richard Jacques, EA Games Soundtrack had its release date on November 20, 2007. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Mass Effect (EA Games Soundtrack)" album is number 23 out of 37. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Exit's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Exit by Richard Jacques, EA Games Soundtrack to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Very Dangerous Place | Jack Wall, Sam Hulick, EA Games Soundtrack | D♭ Major | 7 | 3B | 160 BPM | ||
| Main Theme | Daniel Licht | C Major | 1 | 8B | 79 BPM | ||
| The Last Metroid | Sam Dillard | F♯ Major | 4 | 2B | 130 BPM | ||
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| Greatwood | Danny Elfman & Russell Shaw | B Minor | 2 | 10A | 79 BPM | ||
| Nadir | Austin Wintory | C Major | 4 | 8B | 69 BPM | ||
| Peragus II | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Primary Conduit | Jessica Curry | C Minor | 1 | 5A | 67 BPM | ||
| The Vortex | Dynamedion | G Major | 4 | 9B | 144 BPM | ||
| Battle The Darkspawn Hordes | EA Games Soundtrack | F♯ Minor | 7 | 11A | 120 BPM | ||
| The Hive Mind | Jason Graves, EA Games Soundtrack | D Major | 8 | 10B | 144 BPM | ||
| Kingdom & Betrayal | Pawel Blaszczak, Adam Skorupa | G Major | 6 | 9B | 130 BPM | ||
| Final Assault | David Kates, Jack Wall, Sam Hulick, EA Games Soundtrack | D♭ Major | 5 | 3B | 152 BPM | ||
| Collision | Marc Streitenfeld | D♭ Minor | 3 | 12A | 75 BPM | ||
| And Away We Go | Michael McCann | F♯ Minor | 4 | 11A | 100 BPM | ||
| Wake Up | Sam Hulick | G Minor | 1 | 6A | 80 BPM | ||
| The Proving (feat. Julie Elven & Circle Percussion) - Part 1 - Motherland | Joris de Man, Julie Elven, Circle Percussion | F Major | 6 | 7B | 76 BPM | ||
| The Great Devourer | Doyle W. Donehoo | A♭ Major | 5 | 4B | 120 BPM | ||
| Dead City | Adam Skorupa | G Major | 3 | 9B | 120 BPM | ||
| Damaged, Together | Petri Alanko | D Major | 4 | 10B | 105 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| Cirromon Caverns | Hyperduck Soundworks | D Minor | 4 | 7A | 110 BPM | ||
| Entering TYM | Michael McCann | C Major | 2 | 8B | 100 BPM | ||
| Bile and Venom | Jon Everist, Paradox Interactive | C Minor | 5 | 5A | 143 BPM | ||
| Uncharted Worlds | Sam Hulick, EA Games Soundtrack | C Minor | 3 | 5A | 120 BPM |