Ranee Lee's 'Dialogue 8' had a release date set for April 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 42 in Dark Divas: The Musical by Ranee Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Dialogue 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogue 8 by Ranee Lee is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Widow Song | Nnenna Freelon, Keith Ganz | D Minor | 3 | 7A | 155 BPM | ||
| P'rá Machucar Meu Coração (The Day We Said Goodbye) | Susannah McCorkle | D♭ Major | 1 | 3B | 96 BPM | ||
| You Don't Know What Love Is | Ranee Lee | A Minor | 1 | 8A | 127 BPM | ||
| Don'cha Go Way Mad | Donna Byrne | C Minor | 2 | 5A | 129 BPM | ||
| Undefined | Caity Gyorgy | E Minor | 2 | 9A | 96 BPM | ||
| Reaching for the Moon | Angela Verbrugge, Ray Gallon | D♭ Major | 1 | 3B | 102 BPM | ||
| Do You Know What It Means To Miss New Orleans | Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring | B Major | 5 | 1B | 95 BPM | ||
| Even in the Evenin' | Rachael & Vilray | A Major | 4 | 11B | 93 BPM | ||
| When I Fall in Love | Claire Martin | A♭ Major | 2 | 4B | 114 BPM | ||
| Willow Weep for Me | Rebecca Ferguson | C Major | 3 | 8B | 94 BPM | ||
| She Used To Be Mine | Parry Ray | E♭ Major | 2 | 5B | 131 BPM | ||
| Third Time's the Charm | Benny Benack III | C Major | 4 | 8B | 108 BPM | ||
| Until | Cécile McLorin Salvant | D♭ Major | 3 | 3B | 92 BPM | ||
| You Are So Beautiful to Me | Katrine Madsen | D♭ Major | 0 | 3B | 97 BPM | ||
| The Sweetest Moments | Alex Bird, The Jazz Mavericks, Ewen Farncombe | D Major | 1 | 10B | 78 BPM | ||
| Cheek to Cheek | Ed Jones, Heine Hansen, Bastian Sjelberg, Kristoffer Sjelberg | A Minor | 4 | 8A | 139 BPM | ||
| Blue Toy | Andrea Pozza Trio | A Minor | 0 | 8A | 118 BPM | ||
| My Sweetie & I | Jesse Palter | D Major | 2 | 10B | 123 BPM | ||
| It Ain't Necessarily So (feat. Byron Stripling) | Nicki Parrott, Byron Stripling | F Minor | 4 | 4A | 109 BPM | ||
| Si Tu Savais | The Hot Sardines | C Major | 8 | 8B | 132 BPM | ||
| A Crooked Road | Ranee Lee | B Major | 5 | 1B | 95 BPM | ||
| Black Water | Benjamin Koppel | G Major | 6 | 9B | 150 BPM | ||
| It's Love | Hilary Kole | B Minor | 4 | 10A | 117 BPM | ||
| In a Sentinmental Mood | Ann Hampton Callaway | B♭ Major | 1 | 6B | 82 BPM | ||
| Always on my mind | Lisa Östergren | F♯ Minor | 2 | 11A | 150 BPM |