Richard Swift's 'Already Gone' had a release date set for April 7, 2009. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Atlantic Ocean". In this album, this song's track order is #5. Based on our statistics, Already Gone's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Already Gone by Richard Swift having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hello Take Me Anywhere | Night Shop | A Major | 7 | 11B | 127 BPM | ||
| Ark | Steve Gunn | B Major | 6 | 1B | 151 BPM | ||
| Creeping Away | Swamp Dogg | A♭ Major | 7 | 4B | 140 BPM | ||
| Inspiration Information | Sharon Jones & The Dap-Kings | G Major | 7 | 9B | 167 BPM | ||
| Sleepy Lagoon | Carl Broemel | B Major | 6 | 1B | 80 BPM | ||
| Hit The Ground Running | Smog | G Major | 4 | 9B | 99 BPM | ||
| To Connect | Floating Action | D♭ Minor | 7 | 12A | 96 BPM | ||
| Have You Ever Seen Peaches Growing On A Sweet Potato Vine? | Jake Xerxes Fussell | E Major | 6 | 12B | 80 BPM | ||
| Roller | Quilt | A Minor | 6 | 8A | 120 BPM | ||
| Rio | Low Cut Connie | B Major | 10 | 1B | 150 BPM | ||
| Are You with Me Now? | Cate Le Bon | C Major | 6 | 8B | 142 BPM | ||
| Sleep With Me | Michael Rault | B♭ Major | 4 | 6B | 76 BPM | ||
| Central Park Blues | Ultimate Painting | A♭ Minor | 7 | 1A | 118 BPM | ||
| Whole Wide World - Alternative Version | Wreckless Eric | A Major | 4 | 11B | 108 BPM | ||
| Progress | Booker T. Jones, Yim Yames | D Major | 7 | 10B | 97 BPM | ||
| Wildflower Blues | Jolie Holland & Samantha Parton | C Major | 4 | 8B | 149 BPM | ||
| Lady Luck | Richard Swift | A Major | 5 | 11B | 95 BPM | ||
| The One I Love | Night Shop | F Minor | 8 | 4A | 146 BPM | ||
| How Can You Really | Foxygen | C Major | 7 | 8B | 120 BPM | ||
| Good Time | Donnie & Joe Emerson | A♭ Minor | 9 | 1A | 133 BPM | ||
| Modern Music | Dick Stusso | F♯ Minor | 3 | 11A | 82 BPM | ||
| Canyon (feat. Alex Maas & Jazz Mills) | The Echocentrics, Adrian Quesada, Alex Maas, Jazz Mills | E Major | 7 | 12B | 88 BPM | ||
| Dry the Rain | The Beta Band | E Major | 6 | 12B | 150 BPM | ||
| Sugaree | Phosphorescent, Jenny Lewis, Friends | E Major | 9 | 12B | 174 BPM | ||
| Parties In The U.S.A. | Jonathan Richman | D Major | 3 | 10B | 115 BPM |