On March 11, 1985, the song "Kriminalität" was released by Bal Paré. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bal Paré's "Metamorphose" album is number 2 out of 7. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Kriminalität's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kriminalität by Bal Paré to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dust on Your Floor | Art Fact | C Major | 8 | 8B | 119 BPM | ||
| The Light Goes Through My Mouth | Martin Dupont | D Major | 10 | 10B | 116 BPM | ||
| Mabelle | Ruth | E Minor | 6 | 9A | 130 BPM | ||
| Occupations | Inhalt | F♯ Minor | 9 | 11A | 128 BPM | ||
| The Devil's Dancers | Oppenheimer Analysis | A Minor | 8 | 8A | 123 BPM | ||
| Time | Minny Pops | E Minor | 5 | 9A | 140 BPM | ||
| Game And Performance | Deux | A Minor | 5 | 8A | 149 BPM | ||
| Landslide | Cabaret Voltaire | E♭ Minor | 5 | 2A | 147 BPM | ||
| Charlie Cat | Robert Görl | B♭ Minor | 5 | 3A | 171 BPM | ||
| Ping pong | Act | B Minor | 7 | 10A | 110 BPM | ||
| How Do You Like My New Dog? | Malaria! | B Minor | 7 | 10A | 107 BPM | ||
| Courts or Wars | Second Layer | D♭ Minor | 5 | 12A | 130 BPM | ||
| Performance | Tones On Tail | B♭ Minor | 8 | 3A | 128 BPM | ||
| Silent Imagery | Jeunesse D'Ivoire | A Minor | 8 | 8A | 111 BPM | ||
| Peine Perdue | Guerre Froide | F♯ Major | 3 | 2B | 124 BPM | ||
| Facsimile | Medio Mutante | D♭ Major | 7 | 3B | 178 BPM | ||
| Paris / Orly | Deux | C Major | 8 | 8B | 130 BPM | ||
| Touch - Part 1 | Secession | C Major | 9 | 8B | 128 BPM | ||
| Natalie II | Bal Paré | B Minor | 6 | 10A | 120 BPM | ||
| Presidente | In Trance 95 | D Major | 6 | 10B | 119 BPM | ||
| 1-2-3 | Bal Paré | D Major | 5 | 10B | 146 BPM | ||
| Schattenland | Bal Paré | F Minor | 6 | 4A | 118 BPM | ||
| Against The Wind | Getting The Fear | D Minor | 10 | 7A | 166 BPM | ||
| 4 Hours | Clock DVA | D♭ Minor | 8 | 12A | 134 BPM | ||
| Harold and Cindy Hospital | Severed Heads | D♭ Major | 7 | 3B | 82 BPM |