"Passion At Three O'Clock" by Bill Watrous had its release date on August 1, 1975. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "The Tiger Of San Pedro". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Passion At Three O'Clock's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passion At Three O'Clock by Bill Watrous having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Night in Tunisia (Live) | Sam Houston State University Jazz Ensemble, Aric Schneller, Allen Vizzutti, Bill Watrous | G Minor | 6 | 6A | 101 BPM | ||
| Roman Notes | John La Barbera Big Band | A Major | 5 | 11B | 122 BPM | ||
| Friday Night At The Cadillac Club | Bob Berg, Randy Brecker, Dennis Chambers, Joey DeFrancesco | A♭ Major | 5 | 4B | 108 BPM | ||
| Voyage | John La Barbera Big Band | A♭ Major | 6 | 4B | 109 BPM | ||
| Puddle Jumping | Marshall Gilkes | D♭ Major | 4 | 3B | 138 BPM | ||
| Gooey Butter Cake | Jun Iida, Masami Kuroki, Josh Nelson | F Minor | 5 | 4A | 124 BPM | ||
| Intermission Riff | Stan Kenton & His Orchestra | D♭ Major | 4 | 3B | 161 BPM | ||
| Alone Toghether | Mark Nightingale | G Major | 2 | 9B | 78 BPM | ||
| Meet Me at the Taqueria | Doug Beach Jazz Ensemble | C Minor | 6 | 5A | 146 BPM | ||
| The Line Up | Anthony D'Alessandro | C Major | 4 | 8B | 135 BPM | ||
| Journey to Recife | The Paul Winter Sextet | F Major | 4 | 7B | 96 BPM | ||
| Never Let Me Go (Live) | Sam Houston State University Jazz Ensemble, Aric Schneller, Bill Watrous | B♭ Minor | 8 | 3A | 123 BPM | ||
| Resolution | Bob Mintzer Big Band, Kurt Elling | B♭ Minor | 6 | 3A | 184 BPM | ||
| Equestrian Interlude | Vancouver Jazz Orchestra, James Danderfer, Brian Charette | B Minor | 6 | 10A | 119 BPM | ||
| Blues Samuel | Sammy Nestico, The SWR Big Band | F Major | 6 | 7B | 132 BPM | ||
| The Chicken - Remix | Kris Berg, The Metroplexity Big Band | F Minor | 9 | 4A | 108 BPM | ||
| Break Glass | Ph Factor | F Minor | 6 | 4A | 104 BPM | ||
| Alma Llanera | Tommy Igoe and the Birdland Big Band | C Major | 7 | 8B | 85 BPM | ||
| Basie, Straight Ahead | Samuel Lewis Nestico, Sergey Gusyatinsky, Saint Petersburg Big Band | C Major | 4 | 8B | 200 BPM | ||
| Reincarnation of a Lovebird | Mingus Big Band | F♯ Minor | 5 | 11A | 76 BPM | ||
| Alive and Well | Phil Woods | G Major | 9 | 9B | 119 BPM | ||
| インディアン・リフス | Battle Jazz Big Band | G Minor | 8 | 6A | 144 BPM | ||
| Phonophobia | One O'Clock Lab Band, Junha Kori Park, Nick Mailes | E Major | 5 | 12B | 138 BPM | ||
| The Shining Sea | Bill Watrous | F Major | 2 | 7B | 72 BPM | ||
| Mr. Anthony´s Boogie | Peter Herbolzheimer Orchestra | F♯ Major | 4 | 2B | 77 BPM |