On January 5, 1959, the song "Thalai Koduthan" was released by N.L.Ganasaraswathi, S. S. Govindarajan, S. C. Krishnan. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Thalai Koduthaan Thambi". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. In terms of popularity, Thalai Koduthan is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Thalai Koduthan by N.L.Ganasaraswathi, S. S. Govindarajan, S. C. Krishnan having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aathimakamayi | A. R. Ramani Ammal | F♯ Minor | 4 | 11A | 186 BPM | ||
| Kudu Kuduththa Kizhavanukku | S. N. Surendar, Krishnachandran, Abavanan | G Major | 4 | 9B | 102 BPM | ||
| Thangacchikku Seemantham | S. P. Balasubrahmanyam | B♭ Major | 7 | 6B | 142 BPM | ||
| Chinnakutti Nathanar | Tiruchy Loganathan | B♭ Minor | 8 | 3A | 67 BPM | ||
| Kannmoodum Velaiylum | A. M. Rajah, P. Susheela | B Major | 6 | 1B | 155 BPM | ||
| Chendurudu Ninnu | K. V. Mahadevan, S. P. Balasubrahmanyam, P. Susheela, Puhalendi, C. Narayana Reddy | D♭ Major | 9 | 3B | 108 BPM | ||
| Mallepoovva Mallepoovva | Vandemataram Srinivas, Chitra, Bhuvana Chandra | E Minor | 8 | 9A | 93 BPM | ||
| Ponnin Katta | P. Jayachandran, K. J. Yesudas, P. Bhaskaran | D Major | 3 | 10B | 120 BPM | ||
| Naanathale Kannam | Veda, Kannadasan | C Major | 4 | 8B | 98 BPM | ||
| Palleku Podham | Ghantashala, Samudrala Sr. | F Major | 6 | 7B | 176 BPM | ||
| Varu Varu | Sabitha Chowdhary, Salil Chowdhury | D♭ Major | 6 | 3B | 125 BPM | ||
| Kaviyamaa | C. S. Jayaraman, P. Susheela | F♯ Major | 6 | 2B | 108 BPM | ||
| Namma Kalyanam | T. R. Ramachandran, N.L.Ganasaraswathi | F♯ Major | 5 | 2B | 68 BPM | ||
| Mongililaik Kaadukale | S. P. Balasubrahmanyam, Shankar - Ganesh, Valee | F Major | 5 | 7B | 151 BPM | ||
| Kondalalo Nelakonna | G. Balakrishna Prasad | E♭ Major | 6 | 5B | 149 BPM | ||
| Parugidara | N.L.Ganasaraswathi, S.Govindarajan | C Major | 3 | 8B | 112 BPM | ||
| Endru Thaniyum | Thiruchi Loganathan | E Minor | 2 | 9A | 89 BPM | ||
| Naanamo - Instrumental | Kunnakudi Vaidyanathan | E Minor | 6 | 9A | 150 BPM | ||
| Sundarangulanu | A. M. Rajah, Ghantasala, P. Leela | G Minor | 3 | 6A | 127 BPM | ||
| Kangalin Vaarthaikal | G.Rajasekar, P. Susheela, Kannadasan | A♭ Minor | 2 | 1A | 89 BPM | ||
| Jeevitham Madhusaala | S. Janaki, V. Ramakrishna | A♭ Major | 5 | 4B | 144 BPM | ||
| Thendral Varum | P. Susheela | D♭ Major | 2 | 3B | 119 BPM | ||
| Saranu Saranu Rama Dhuta | Ramakrishna | E Major | 5 | 12B | 97 BPM | ||
| Pongalo Pongalo Pongal | N.L.Ganasaraswathi | E♭ Major | 5 | 5B | 72 BPM | ||
| Adi Mathalankotti | L. R. Eswari | B♭ Major | 6 | 6B | 91 BPM |