Wes Parker's ' "Only Yesterday" was released on its scheduled release date, January 24, 2025. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Only Yesterday's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Splinter". In this album, this song's track order is #4. Based on our statistics, Only Yesterday's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Only Yesterday by Wes Parker having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Refused | The Bed Heads | C Major | 6 | 8B | 168 BPM | ||
| Machinery | Fake Dad | D Major | 7 | 10B | 120 BPM | ||
| Reason | Low Phase | G Major | 8 | 9B | 142 BPM | ||
| A for Always | Runner and Bobby | B Major | 6 | 1B | 95 BPM | ||
| Bad Year | Bird and Byron | E Major | 7 | 12B | 130 BPM | ||
| Motel Arcade | Dylan Dunn | D Major | 7 | 10B | 76 BPM | ||
| Damn Wrong | The Baxbys | A♭ Major | 9 | 4B | 138 BPM | ||
| Threadbare | Mineral King | B Major | 7 | 1B | 150 BPM | ||
| code atlas | Wes Parker | F Minor | 7 | 4A | 120 BPM | ||
| Afterlife | Sarah and the Sundays | E Minor | 2 | 9A | 94 BPM | ||
| Little Acts Of Violence | Ray Bull | C Major | 5 | 8B | 105 BPM | ||
| Just A Little Love | Benja, Glitter Party | A Major | 7 | 11B | 128 BPM | ||
| Spare Parts | Blankslate | D♭ Major | 9 | 3B | 132 BPM | ||
| The Rain | Moravian | G Major | 7 | 9B | 157 BPM | ||
| Fake Nice Girls | Muo Duo | D♭ Minor | 6 | 12A | 90 BPM | ||
| Cut and Dry | Foxtide | E Major | 4 | 12B | 115 BPM | ||
| I Can Be Your Dog | Edgehill | B Major | 7 | 1B | 133 BPM | ||
| pull me under | Wes Parker | G Major | 5 | 9B | 121 BPM | ||
| Policy | Sarah and the Sundays | F♯ Major | 5 | 2B | 124 BPM | ||
| Hollywood | Dogpark | D Major | 7 | 10B | 104 BPM | ||
| lol | Edgehill | D♭ Minor | 4 | 12A | 79 BPM | ||
| Keep Me High | The Criticals | G Minor | 6 | 6A | 91 BPM | ||
| Small Pond | Thumber | D Major | 2 | 10B | 110 BPM | ||
| Sorry For My Heart | The Baxbys | F Major | 9 | 7B | 185 BPM | ||
| have you moved on yet? (sandcastles) | Noah Sties | F♯ Major | 7 | 2B | 165 BPM |