Jerry Bock, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra's ' "The Rothschilds: A Musical: Act II Opening (Part 1): Give England Strength" was released on its scheduled release date, 1970. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "The Rothschilds: A Musical (Original Broadway Cast Recording)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, The Rothschilds: A Musical: Act II Opening (Part 1): Give England Strength is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Rothschilds: A Musical: Act II Opening (Part 1): Give England Strength by Jerry Bock, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| "Cinderella Waltz" | Rodgers + Hammerstein's Cinderella Original Broadway Ensemble | C Major | 3 | 8B | 176 BPM | ||
| Maria | Matt Cavenaugh, New Broadway Cast of West Side Story (2009) | E♭ Major | 1 | 5B | 89 BPM | ||
| Easy to Love | Colin Donnell | A♭ Major | 2 | 4B | 75 BPM | ||
| Broken Souls | wangyaolong | A Minor | 3 | 8A | 79 BPM | ||
| One | A Chorus Line Ensemble (2006) | G Minor | 4 | 6A | 132 BPM | ||
| Final Bows | Thoroughly Modern Millie Ensemble | F Major | 4 | 7B | 114 BPM | ||
| Three Letters | Jerry Bock, Sheldon Harnick | F Major | 3 | 7B | 133 BPM | ||
| As Long As He Needs Me | Sally Dexter | E Major | 0 | 12B | 125 BPM | ||
| Scene: Mary's Sitting Room / If I Had a Fine White Horse | Alison Fraser, Daisy Eagan | G Major | 2 | 9B | 92 BPM | ||
| Cabaret: Finale | John Kander, Cabaret Ensemble, Harold Hastings | D Major | 2 | 10B | 83 BPM | ||
| Sabbath Prayer | Alfred Molina, Randy Graff | F Major | 1 | 7B | 77 BPM | ||
| Somewhere | Nicholas Barasch, Matt Cavenaugh, Josefina Scaglione, West Side Story Ensemble (2009), New Broadway Cast of West Side Story (2009) | E♭ Major | 1 | 5B | 81 BPM | ||
| Now I Have Everything | Jerry Bock, Sandor Eles, Linda Gardner, Gareth Davies | G Major | 2 | 9B | 81 BPM | ||
| If I Loved You | Joshua Henry, Jessie Mueller | D♭ Major | 2 | 3B | 78 BPM | ||
| The Show Biz | Jim Corti, Lynnette Perry | D Major | 2 | 10B | 92 BPM | ||
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
| Willamania | Cady Huffman, The Will Rogers Follies Ensemble | B Minor | 5 | 10A | 105 BPM | ||
| Sunrise, Sunset | John Williams, Chaim Topol, Norma Crane, Michael Gläser, Michele Marsh, "Fiddler On The Roof” Motion Picture Chorus, Isaac Stern, "Fiddler On The Roof” Motion Picture Orchestra | F Major | 2 | 7B | 80 BPM | ||
| All for the Best | Hunter Parrish, Wallace Smith, Godspell (The New Broadway Cast Recording) | G Major | 4 | 9B | 136 BPM | ||
| Tagein, tagaus | Jerry Bock, Dagmar Schellenberger, Morbisch Festival Orchestra, Gerhard Ernst, Georg Leskovich, Elisabeth Ebner, David Levi | C Minor | 5 | 5A | 142 BPM | ||
| What Do the Simple Folk Do? - King Arthur and Guenevere | Richard Harris, Vanessa Redgrave, Lee Herschberg | B♭ Major | 2 | 6B | 113 BPM | ||
| Out There | Patrick Page, Michael Arden | D Minor | 5 | 7A | 98 BPM | ||
| Les Poissons | John Treacy Egan as Chef Louis | D Major | 3 | 10B | 88 BPM | ||
| 1776: Molasses to Rum | Sherman Edwards, Clifford David, Peter Howard | A Major | 5 | 11B | 87 BPM | ||
| I Am What I Am | Jerry Herman, Douglas Hodge | F♯ Major | 3 | 2B | 83 BPM |