On January 1, 1998, the song "The Banks Of Sacramento" was released by James Last. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 35 in Auf Last Geht's Los by James Last. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Banks Of Sacramento is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Banks Of Sacramento by James Last is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Guitarra Romantica | Ricci Ferra | E Minor | 4 | 9A | 110 BPM | ||
| Blue Moon Dancing | Tol & Tol | E Major | 6 | 12B | 114 BPM | ||
| South of the Border | 50 Guitars of Tommy Garrett | E Minor | 2 | 9A | 98 BPM | ||
| Dolannes Melodie | Orchester Ambros Seelos | F Major | 3 | 7B | 93 BPM | ||
| Ballade pour Adeline | Anthony Ventura | C Major | 3 | 8B | 130 BPM | ||
| Be Happy | Muhammad Danish Azman | G Major | 4 | 9B | 106 BPM | ||
| Concierto de Aranjuez | Johnny Pearson Y Su Orquesta | B Minor | 2 | 10A | 139 BPM | ||
| Memory - Cats | Music World Strings | F Major | 1 | 7B | 144 BPM | ||
| Morgens um sieben ist die Welt noch in Ordnung - From "Morgens um sieben ist die Welt noch in Ordnung" | James Last | G Minor | 4 | 6A | 96 BPM | ||
| Spanish Harlem (Das Ist Die Frage Aller Fragen) | Günter Noris | B♭ Major | 5 | 6B | 109 BPM | ||
| Merry We Will Be | Berdien Stenberg | F Major | 5 | 7B | 95 BPM | ||
| The White Boats Of Piraeus | Nikos Ignatiadis | A Major | 4 | 11B | 140 BPM | ||
| Don't Cry For Me Argentina | Maria Saldo | A♭ Major | 2 | 4B | 127 BPM | ||
| Ballade Pour Adeline | The Richard Romance Orchestra | C Major | 4 | 8B | 110 BPM | ||
| Come Back to Sorrento | Ross Mitchell, His Band & Singers | B♭ Minor | 2 | 3A | 87 BPM | ||
| An Eriskay Love Lilt | Kenneth McLeod, James Last | A♭ Major | 3 | 4B | 79 BPM | ||
| El Condor Pasa | Nicolas de Angelis | F Major | 2 | 7B | 117 BPM | ||
| Flauta de Pan | Orquesta Romántica de La Habana | E Major | 3 | 12B | 162 BPM | ||
| And The Birds Were Singing (...Et les oiseaux chantaient) - Instrumental | Sweet People | A Major | 3 | 11B | 163 BPM | ||
| Traum der Liebe | Jelle van Marrum | C Major | 5 | 8B | 68 BPM | ||
| Old Shurehand - Melodie | Martin Böttcher | D Major | 5 | 10B | 83 BPM | ||
| Red Roses For A Blue Lady | The British Ballroom Players | C Major | 5 | 8B | 115 BPM | ||
| Il Silenzio | Dirk Schiefen | B♭ Major | 5 | 6B | 67 BPM | ||
| Lake Como | Sweet People | A Major | 2 | 11B | 82 BPM | ||
| Aria En Re | Golden Strings Orchestra | D Major | 3 | 10B | 124 BPM |