The Full English, Fay Hield's ' "Afterword - Album Commentary" was released on its scheduled release date, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "The Full English (Commentary Version)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Afterword - Album Commentary is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Afterword - Album Commentary by The Full English, Fay Hield having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hollow Point | Chris Wood | F Major | 3 | 7B | 98 BPM | ||
| Oran an Tombaca | Dàimh | C Minor | 4 | 5A | 117 BPM | ||
| These Coal Town Days | Jez Lowe & The Bad Pennies | B Minor | 2 | 10A | 127 BPM | ||
| Cuir A Nall | Dàimh | E Minor | 3 | 9A | 131 BPM | ||
| The Old Churchyard | Lady Maisery, Jimmy Aldridge & Sid Goldsmith | F♯ Major | 9 | 2B | 160 BPM | ||
| Colne Valley Hearts | O'Hooley & Tidow | F♯ Major | 1 | 2B | 120 BPM | ||
| Teardrop | O'Hooley & Tidow | C Major | 1 | 8B | 137 BPM | ||
| Great Grey Back | Eliza Carthy, The Wayward Band | G Major | 1 | 9B | 136 BPM | ||
| Tramps and Hawkers | Ewan McLennan | E Major | 2 | 12B | 90 BPM | ||
| Ghosts | Lau | D Major | 2 | 10B | 145 BPM | ||
| Fifty Verses | Melrose Quartet | C Major | 3 | 8B | 142 BPM | ||
| Santa Georgia | Melrose Quartet | C Major | 3 | 8B | 142 BPM | ||
| Thousands Are Sailing To Amerikay | Dick Gaughan, Andy Irvine | D Minor | 4 | 7A | 100 BPM | ||
| Awake Awake - Commentary | The Full English, Fay Hield | B Major | 1 | 1B | 87 BPM | ||
| Carrying the Coffin | The Young'uns | A Major | 4 | 11B | 110 BPM | ||
| Battlefield Dance Floor | Show Of Hands | F♯ Major | 8 | 2B | 122 BPM | ||
| Reres Hill | Emily Smith | G Major | 4 | 9B | 125 BPM | ||
| Winter Moon | Lau | C Major | 3 | 8B | 68 BPM | ||
| I'd Rather Be Tending My Sheep | The Furrow Collective | D Major | 1 | 10B | 109 BPM | ||
| Érigh Suas a Stórín | Cara Dillon | D Major | 6 | 10B | 127 BPM | ||
| Barley and Rye | Rachael McShane, The Cartographers | F Major | 3 | 7B | 104 BPM | ||
| Birds of Passage | Breabach | F♯ Minor | 10 | 11A | 120 BPM | ||
| Bonny Light Horseman | Siobhan Miller | F Major | 2 | 7B | 72 BPM | ||
| Up And Awa’ | Janice Burns & Jon Doran | C Major | 2 | 8B | 100 BPM | ||
| The Raggle Taggle Gypsy | Mat Williams | D Major | 6 | 10B | 102 BPM |