The Art of Fist Fucking II - Especially Written for...
Mike Patton, Bob Ostertag, Otomo Yoshihide, House of Discipline, Dagmar Krause
Angelica 1997
1:46 1998
BPM
54
Key
D♭ Major
Camelot
3B

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The Art of Fist Fucking II - Especially Written for... by Mike Patton, Bob Ostertag, Otomo Yoshihide, House of Discipline, Dagmar Krause Song Details

Mike Patton, Bob Ostertag, Otomo Yoshihide, House of Discipline, Dagmar Krause's 'The Art of Fist Fucking II - Especially Written for...' had a release date set for 1998. For a fairly short song, this song is "The Art of Fist Fucking II - Especially Written for..." is considered an explicit song with a duration of 1:46. The song is number 21 out of 23 in Angelica 1997 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The Art of Fist Fucking II - Especially Written for... is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of The Art of Fist Fucking II - Especially Written for... by Mike Patton, Bob Ostertag, Otomo Yoshihide, House of Discipline, Dagmar Krause is Lento (slowly), since this song has a tempo of 54 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-20.256 dB
Acousticness
81%
Danceability
46%
Energy
36%
Instrumentalness
9%
Liveness
39%
Loudness
66%
Speechiness
30%
Valence
36%

Recommendations

We could not find any recommendations for this track.

ISRC
FR6V81738870
Label
L-M Records/RCA Records