Harry Gregson-Williams, Rupert Gregson-Williams's 'Hostage to Ridicule' had a release date set for March 21, 2022. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "The Gilded Age (Soundtrack from the HBO® Original Series)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Hostage to Ridicule's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hostage to Ridicule by Harry Gregson-Williams, Rupert Gregson-Williams having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Diferencias Estrechas | Hasta El Final | A Minor | 3 | 8A | 108 BPM | ||
| I Want To Go Out | Atli Örvarsson | A♭ Major | 1 | 4B | 74 BPM | ||
| The Final Arrow | Marc Streitenfeld | F Minor | 1 | 4A | 66 BPM | ||
| The Deal | Harry Gregson-Williams, Rupert Gregson-Williams | F Minor | 2 | 4A | 101 BPM | ||
| Retiring the Shuttle | Mychael Danna, Harry Gregson-Williams | C Major | 2 | 8B | 63 BPM | ||
| She Ignited My Curiosity | Kevin Smuts | F Major | 4 | 7B | 120 BPM | ||
| I Feel Safe with You | Harry Gregson-Williams, Rupert Gregson-Williams | F Minor | 2 | 4A | 101 BPM | ||
| Ostia | Harry Gregson-Williams | E Minor | 1 | 9A | 87 BPM | ||
| Aspire to Inspire | Howard Harper-Barnes | G Minor | 2 | 6A | 116 BPM | ||
| Everything is Connected | Pinar Toprak, Tyler Durham | F Major | 4 | 7B | 98 BPM | ||
| Someone Remarkable | Rupert Gregson-Williams | A Minor | 1 | 8A | 158 BPM | ||
| Submarine Rises | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Journey | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| I'll Be Right With You | Jon Opstad | C Major | 1 | 8B | 64 BPM | ||
| I'm Going Home | Harry Gregson-Williams, Rupert Gregson-Williams | A Major | 5 | 11B | 104 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Almost Kiss | Robert Duncan | C Minor | 0 | 5A | 120 BPM | ||
| Flight of the Cloudskater | The Eternal Orchestra | G Major | 5 | 9B | 144 BPM | ||
| My Heart Will Be With You | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Riders of Justice | Thomas J. Curran, The Budapest Scoring Orchestra | F Major | 4 | 7B | 81 BPM | ||
| A Happy Child | Harry Gregson-Williams, Rupert Gregson-Williams | G Major | 0 | 9B | 103 BPM | ||
| A Bullet in Time | Jon Opstad | F Minor | 2 | 4A | 88 BPM | ||
| First Steps | Clinton Shorter | G Minor | 2 | 6A | 124 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM |