"Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky" by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus had its release date on January 1, 1995. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Prokofiev: Alexander Nevsky; Scythian Suite; Lieutenant Kijé". In this album, this song's track order is #2. In terms of popularity, Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
| Gurrelieder, Pt. 3: No. 22, Seht die Sonne (Mixed Chorus) | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Chorus, Jan Rozehnal | E Major | 3 | 12B | 89 BPM | ||
| Pini di Roma, P. 141: II. Pini presso una catacomba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F Minor | 0 | 4A | 93 BPM | ||
| Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
| The Peacemakers: II. Fanfara | Karl Jenkins, London Symphony Orchestra, Rundfunkchor Berlin, City of Birmingham Symphony Youth Chorus, Simon Halsey | F Major | 5 | 7B | 120 BPM | ||
| Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
| Scythian Suite, Op. 20 - "Ala and Lolly": 2. The Evil God and Dance of the Pagan Monsters | Sergei Prokofiev, Mariinsky Orchestra, Valery Gergiev | D Minor | 5 | 7A | 111 BPM | ||
| Piano Concerto in G Major, M. 83: III. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
| Capriccio Espagnol: Fandango asturiano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | A Major | 4 | 11B | 68 BPM | ||
| Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
| Applause - Live From Philharmonie, Berlin | Various Artists, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 69 BPM | ||
| The Dream of Gerontius, Op. 38: No. 1, Prelude to Part One | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | D Minor | 0 | 7A | 79 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
| Harold en Italie, Op. 16, H 68: II. Marche des pélerins chantant la prière du soir | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tabea Zimmermann | E Major | 0 | 12B | 87 BPM | ||
| Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM | ||
| Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
| Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM | ||
| Requiem: III. Tuba Mirum | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 2 | 12A | 97 BPM | ||
| Lohengrin, WWV 75, Act III: Prelude | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
| Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
| Carmina Burana: XIII. Ego sum abbas | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM |